TRAKS MAGAZINE TRAKS MAGAZINE #6 | Page 34

interview foschia fact, never put twice the same piece, like an album to which you add new pieces as a kind of diary. All very instinctive, following my “desires” and inspiration, I do not have stakes. A song can be a demo, one more polished, one rap, then a pop one etc etc. Your songwriting alloy “classic” songwriting and frequent hip hop interventions: how and why did you decide to create dialogue between these two forms of music? Let’s say that when you talk to me is still more pop. I do not feel tied to rap even though I love it when it is used and mixed with the other gender, as Gorillaz or even Kanye West in recent works do, so why not. I have not made big decisions about, or rather lately have many more demo without rap... I’m on the instinct, without major performance anxiety or large thinkings. Everything comes really very natural. Can you tell us something about who collaborates in your songs? How did you involved them in your tracks? My main collaborator is Serra, MC of Modena, which is also my city. I met him many No album (for now), no ep, a page on Soundcloud, images, by Jack Venturelli, with clear references to cartoons of the early twentieth century: the Foschia project stands out for some unique characteristics. Founded by Matt Revol along with Serra and Graziano Ranieri, Foschia are searching for a winning mix of soft songwriting, Sparklehorse style, and some engraved hip hop. We interviewed Matt Revol. Can you tell your story here? I have always been fond of music, especially listening. Then, at 14/15 years, I discovered the guitar, then piano. I studied both but soon I give up, because I was only ever interested in writing my music. So I devoted myself to a bit of harmony theory, that I didn’t complete too. Today, for many years, I write my pieces. You have not made an ep or an lp, but many “disconnected” songs. Can you explain why? My lp page is an lp in constant evolution, in 34 years ago after hearing some of his songs and I involved him slowly, he got in the game and has adapted to a shape much less rap than pop. The project was born with him. Then, there are Anne and Ludovica, two singers with whom I recorded a few pieces and collaborated on various melodies and texts, Graziano Ranieri, sound engineer and friend and finally Antonio, very good guitar player with whom I recorded the guitars for several pieces. These are the main contributors and with whom work more often. Then there are others more “occasional”. Who is or who are the Italians independent artists who esteems more right now? I do not know whether they are independent, but I like “La rappresentante di lista” Can you name three songs, Italian or foreign, that have influenced you the most? I would say, if I can go with albums, Vivadixiesubmarinetransmissionplot of Sparklehorse, Blur’s Think Tank and Sgt.Pepper of Beatles. 35