interview
Well, here the story gets to be 18+, but we can
say that the Father is like the bee who lands
on the flower which is the Mother and so was
born “Il Rap jazzcore dell’anarchico Pinelli”.
Who is or who are the Italians independent
artists that you value more right now and
why?
First and foremost Mauro Mariotti who is
also a friend, then also the other type Lightpole friends, Little Pieces of Marmelade,
the Meatball Explosion then really boh ... why
is “why NOT ?!”
You can name three songs, Italian or foreign, that have influenced you the most?
For me that woodpecker skins one for all is
“Ho Fatto la Cacca” by Mauro Pelosi (most
for lyrics actually, although the music rocks
very much) then I quote “Gateway 5/4” of
Don Ellis and the mythical “The Revolution
Demeb
supposed growth
Demeb is a (absolutely mad) jazzcore duo
whose second lp is Rebubblica, new record
of six tracks (available at the website and
contacting demeb.org the band at floppy@
demeb.org). After the release of the previous
Urban Flowers, the duo confirms to be fool
and ironic as before. We interviewed them to
talk about their new work.
What differences there have been in working to the new album, compared to “Urban Flowers”?
The record comes from the usual story of the
Concept (which is so dear to us) then work
on this and that cut that, it turned out that the
“lp” became “ep”. Then if you go listening, the
difference is in our supposed growth and better technology available (including tools and
all the rest of the network).
What were the main difficulties you encountered in making the disc, if there were?
Not many big difficulties, apart from the
usual going mad at 6th or 7th hour of work;
then you know, the Moretti beer helps to
overcome even the most gloomy days!
How did is born “Il Rap Jazzcore dell’anarchico Pinelli”?
24
Will Not Be Televised “by Gil Scott-Heron;
for me, slamming chords, there is “Beasts of
Leather” of Splatterpink, then also “Tommy
the Cat” of Primus and the rainbow “Oh! Battagliero!” of CCCP Fedeli alla Linea.