TRAKS MAGAZINE TRAKS MAGAZINE #6 | Page 10

interview was our exclamation! Then we played immediately an electronic drum track and an acoustic drum track and then, incomplete, without voice melody, we left it in the drawer for more than a month without knowing how to complete it. We wrote other things in the meantime, no longer thinking of those overlapping riffs until months ago. One morning, however, listening again after so long, it seemed clear that the vocoder improvised in faux English sang something. ‘Lorraine’ was the word that always seemed to repeat at some point of the tour. The rest, came spinning: melody, lyrics, and final floor of tune recorded at home ... looking back, we did not put the pink bow after birth :)! After great and important festivals in Barcelona, ​​Manchester, Liverpool, you have also performed at the Paris Festival MaMa: how is it gone and how it was your exhibition? We did not have any expectations, but we worked so hard on the show and we gave everything in that live. It went very well: we were greeted warmly by the organization of Mama, from the local art director in which we played (Bus Palladium) and where we’ll probably return, by the French person who, we had already met at the concert held last year at L’International (the first Parisian club that believed in the project from the beginning). Can you tell the instruments you used to play on this record? There are not many secrets regarding the instruments used, we simply entrusted to machines and tools we had already, instruments even with a very low cost, in short, we have given priority to all the little analog devices is to generate sounds for other filter it. Another important role was that of the computer that has allowed us to leverage the power and ubiquity of digital software for more sound experiments. For new compositions, we’re dipping there, we will have new better quality equipment and most sought after so you can still experience more editing sounds. Who are the Italians independent artists that you value more right now? Without too many reasons beyond the pleasure of listening, Niagara, Verdena, Martello, Two Monkeys, Bruuuno Belva, Motta, Colapesce, Gli Ebrei, Marta sui Tubi, Zolle, Go!Zilla.