interview
interview
have been written, except Sociopathic
Circus, Morbid and Mary Needless, by
me a few years back and are: Obscure,
Spotlight, Sam in which Bobby added
new portions music. Burned Down,
Soul City and The Sick Ones also, which were not affected by tinkering at the
level of writing. Even Strange Kind Of
Connections is mine and it’s the most
recent, but it was quite bewildered by
Bobby. For some months now with
Bobby, we have developed a musical
feeling that is allowing us to put in the
cellar other new material in a totally
instinctive way, in which we are integrating the other guys.
A couple of years ago you did spend a
few months playing in clubs in London: what feedback have you had?
The way was right, but not all the
comrades of the journey. Without this
experience we probably would not have
been able to achieve what we are doing
now. Sharp and truthful criticism about
the approach to the musical reality that
we lived then. Ronnie and I were the only
ones to reap the constructive part and we realized it was time to continue with new elements.
Dancing Crap
They were born in 2008 and have never stopped spinning: Dancing Crap publish Cut It
Out, an album in which they conveyed their
many experiences, for a very contemporary
album. After an eventful year, this record
seems to mark a moment of stability to the
band... Not at all! The current guitarists are
not the ones who played the disc. One left
while recording, the other we have replaced a
finished record. Spirit? If anything, beer, wine
and sambuca.
A very interesting part of your sound is
made up of dirt, jokes and overdubs: What
is your way of building songs? We must
make distinctions. The songs of the album
CLICK HERE
AND LISTEN TO
“Cut it out”
26
the music and the search for Meets
Vision Art and airing ability Televisio ne Pirata showed for years. So
from a simple visit to the studio of
Andrea to the boys of Television
Pirate, it was born a challenge: to
bring out from the four walls of the
art of sampling and sound research
characterized by the use of vinyl. It
was a Saturday evening and from
there the idea of going the next day
in a flea market, take the old vinyls
and improvise. Without a set, without a particular line to follow. Hand-held
camera, sampler, turntables and the intention
of bringing home a unique result and real.
What will remain constant in the series and
what they can change?
The constant is the search, the desire to experiment and improvise without paying much
attention to the shape but giving space to the
substance and maintaining a live and dedicated approach to improvisation that makes
each performance unique. It is extremely fascinating to use the sounds of the past and
play with them. The vinyl? It seems to be back
in vogue, although somebody never filed and
stored records in lockers.
B:Eat
Vinyls, a magnificent city as backdrop, a bit of
poetry and the format is done: these are the
ingredients of B:eat a meeting between MVAsounds and web TV Televisione Pirata. A
series that begins with a video shot in Verona,
about sampling and music. Can you explain
who you are and what you’ve done so far?
B: eat dialogue sees two entities, Televisione
Pirata and MVAsounds.com. The first is a
web TV that placed particular emphasis on
live performances in different areas of music,
the second, MVAsounds, is a new reality by
sweeping views, aimed at developing various
ties between music and art.Televisione Pirata, particularly in his video format, Understudio, opens to the world of vinyl and live
performances, making room for many Italian
talents. MVAsounds came into being from
the concept that characterized Meets Vision
Art, a multifaceted research project created
by Andrea Pilloni, ideologically close to Andy
Warhol’s Factory.
How did it born the project B:eat?
B: eat comes from a simple common purpose:
CLICK HERE AND SEE B:EAT
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