review
plunge into Nineties sounds. Roger Roger,
Commander has a mood a bit darker, but not
that much: the atmosphere of the lp alternates phases of contained fury and landscapes
much more sunny. Not much sun at 5:47 PM,
again aggressive; guitar and drums do their
best to guarantee coverage to a loud voice.
Teenage emphasizes a more moderate and intimate side of the band, with minimal sounds
and most of the work left to the emotional
voice, at least until they start to put hands to
drumsticks and raise the volume level.
Sonnet # 4 starts in the darkness. Early, here
the temptation of noise seems to remain at
bay, but the slow movement grows in a way
so inevitable that the explosion of angriness
and desperation appear absolutely inevitable.
Album closes with the duet of To the Kino,
Again, in which some of ancient new wave
emerges, along with a great job of bass and
drums. Debut of trio earns every praise that
was written for now. Maybe it sounds a bit
nostalgic, but here the simplicity combines
perfectly with the impetuosity of youth.
Blue Moon, proceeding in gradual waves, but
not without rhythm, thanks to a smooth but
aggressive drumming. We switch to some
romance in Gladly Farewell, with vocals and
guitar gaining momentum second by second.
A full instrumental barrier, especially in the
rhythm section, welcomes the listener to
His Era, which again goes in waves not quite
regular. The three-minute 365 days proceed from a simple guitar around and again
The duo published a cover album, then an
ep in 2013, enjoying some limitated success.
Then the end of duo, with Cecilia trying to
complete her studies. Adele stepped into
another project, Ferry Pie, and ultimately
teamed up with Erica and Marco, for the
debut. The album opens with Something,
also first video, that sounds very 90s, with
good doses of guitar that begin to draw the
profile of Any Other. A little less storming is
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