TRAKS MAGAZINE TRAKS MAGAZINE 012 ENG | Page 34

interview Felloni Il punto di non ritorno is the debut album as a songwriter for Felloni. The album contains the contamination between the Italian songwriter school and the folk/ rock flavor of the Anglo-Saxon style. Let’s start from the cover: what does the empty armchair repre- sent? 34 That empty armchair represents for me the place where the album came to life, the place where I con- ceived this work and where I can continue to new destinations. The empty armchair, therefore, in a cer- tain sense represents the static, the immobilism experienced in pre- vious years and during the realiza- tion of this my first official work; the beginning of the journey, the starting point, the place where you do not return. “Il punto di non ritorno” is your debut as a songwriter: what does it represent for you and with what inspirations you have approached the work on the record? I believe that every man has the need to express himself, his feelings and his own experience, in my case I found in this album and especially in writing the best way to do it. Without a doubt the major inspiration that contributed to the re- alization of the songs were my inner storms; The sleepless nights whe- re the words plastered the walls of my mind to go out and take shape in front of me, not knowing what to do with your life. A work of intro- spection in search of a way out of the shadow of myself. In my songs I speak of the feelings that every human being has to face every day of his life, feelings that can unite as much as they share. The atmosphere of the album is 35