TRAKS MAGAZINE TRAKS MAGAZINE 012 ENG | Page 32

interview Eradius Bass and drums and a spirit simi- lar to stoner: here are Eradius and their new lp is Democrazy. Can you tell the story of Era- dius? The Eradius project was born two years ago, when Edoardo and Ri- chard (drummer and bassist of the Triple Rock band) wanted to write and play original music, with the purpose of escaping from the vi- cious circle of the cover band, a bit for nostalgia of that music that was king in the 90s but at the same time with the intention of creating something new. Initially the band was supposed to be a quartet, but we immediately saw the divergen- ces of thought and, encouraged by the impressive ascent of the Royal Blood, we decide to try in two. Wi- thout great expectations but full of enthusiasm we came to the rehear- sal room to experiment, we under- stood almost immediately the way to take advantage of very similar musical tastes. In September 2016 we are presented with the opportu- nity to play for the first time on the stage of a festival for the victims 32 of the earthquake in Amatrice, and from there on we took every op- portunity, participating in various contests and even starting to win them! Even the album was born without pretension: we found our- selves under the eye of the produ- cer Tommaso Canazza and thanks to this meeting we decided to re- cord all the twelve tracks we had in the pipeline. What do you use for your lyrics? The main theme of most lyrics is to protest anything that seems wrong within our society. A cou- ple of songs instead (Black Queen and Medusa) talk about two women in two different relationships, one positive, the other a little less. Fi- nally we dedicated a song (Desert) to the artists who helped us in our project. I would like to know more about the genesis of “Democrazy” and “Medusa” Democrazy was the first song that was born in the rehearsal room, we built the song around the riff, which was born many years earlier by the first group of Edoardo (the Arenanera), fished out of old audio files and then readjusted up to what you hear today. In the lyri- cs we take aim at the hypocrisy that sometimes dominates in today’s democracy, inviting the listener to embrace our “crazy” democracy. Medusa talks about a relationship that ended badly with a woman, in general she describes when the wo- man makes fun of the man, decei- ving and using it for her own inte- rests and then abandoning it as if nothing had happened. Your 2017 has been studded with concerts: how 2018 an- nounce itself ? Last year we worked hard expan- ding our views trying to make spa- ce on any stage was available, even when a real stage was not there. For 2018 we aim for a qualitative leap. On February 24th there will be a release party with the next re- lease of the album. 33