interview
usually we do not stop too long on a piece but
we try to let the piece come a little by itself,
in this case it started all from drum’n’bass
rhythm on which we tried to impress our
sound.
Can you tell the main instrument you used
to play on this disc?
Instrumentation is the same we use live, Red
is dealing with drum and drum machine and
Marco deals with voice with reverbs and di-
stortions, guitars and synthesizers.
I guess that gig part is one of the fundamen-
tal ones for your band. Can you describe
your concerts?
Currently our set is pretty short, about 35 mi-
nutes in which there are no breaks, we try to
keep the listener’s attention high.
Track by Track
The six-song ep opens with an entertaining
and very percussive Dalawang, with mas-
sive sound that points in several directions.
We can label it post rock, math, hardcore
and metal, but it is understood that the band
is endowed with original thought. Pimlico
runs fast, with atmospheres this time more
sunny, though corroborated by robust doses
of electricity. There is no moderation in the
noxious No Prisoners, crazy climax voted to
the noise. The use of the voices by the band
is quite peculiar: almost always chorus, al-
most always indistinguishable, almost always
screaming in the background. There is conti-
nuity with the next piece, Fa #, which is fluid
and magmatic, with the voice that looks like
a