Tour de France Magazine 2019 | Page 34

A FAN’S PERSPECTIVE enter the fray once again. Cycling is also a business, a marketing business. Pro Tour teams have budgets in the multi-millions of Euros and this is paid by sponsors who want to place their products or services in front of the millions of viewers who sit glued to the hours and hours of TV, online and print coverage that cycle races get. Riders are employees as much as sportsmen. They all have jobs and different roles in the ‘company’. Some are there to win, others are there to help them win. Some are there to get TV time in the Then there is the cutting- edge technology. Modern bicycles are high-tech, composite marvels. Riders’ physical data is monitored by scientists and doctors using state-of-the-art measuring devices and software. Every minute detail is scrutinised, analysed and assimilated so that nothing is left to chance. Riders spend weeks in training camps at remote, high-altitude locations to change and improve their physiology. They use races to develop ‘race-rhythm’ in order to improve their condition for scrutinised and discussed. Performances are analysed and criticised or praised, and plans and tactics are formulated for the next day. But, in the heat of the moment, at the critical instant, a rider must make blazing heat or freezing rain. The passion of the directeur sportif who has seen all his neatly laid plans shot to ribbons but who bursts into tears when his rider grabs the unexpected victory. The passion of that rider who early breakaway and garner that valuable exposure for the team and their sponsors, even if the chance of a win is remote. Roles do change in a season, and even in a race. There are always opportunities that present themselves that go against the designated roles. Often these can provide riders with career-altering prospects if seized upon, just as they would in the corporate world. 34 | TO U R D E F R A NC E 2019 their target races, but keep to set outputs in order to peak at precisely the correct time. At the races, out on the road, team managers watch live TV coverage in the team car and instruct their riders on the race situation, route information and the situation of their rivals via sophisticated two- way radios. Race routes are previewed and planned for. Post-race the results are the decision which will decide between victory and defeat. When the plan was to wait but the rival is showing weakness, it is time for a risk. Do they take it or follow the plan? This is what makes cycling mesmerising for me. For all the control and the technology, the numbers and the planning, it is the passion that makes cycling. The passion of the people standing on the roadside in crosses the line, arms aloft with elation – and also relief on his face because there is so much more to this victory than just coming first on this day. Then there is the passion of the rider who falls at speed, ripping his already frail-looking body to shreds, but whose first thought is to get back on his bike… and the manager who understands and lets him try because he too was a rider once… and the fans who will push him up a mountain to help him finish, despite the fact that they support another team – because they appreciate that this is what makes cycling what it is. ● ASO/PAULINE BALLET Tour de France fans often put on as much of a spectacle as the riders, especially in the high mountains, and when stars such as Peter Sagan arrive.