Torch: U.S. LXXIV Spring 2025 | Page 19

Two Thoughts on Daphne and Apollo (What Can and Can’t Be Captured)

Inspired by the Daphne and Apollo statue by Gian Lorenzo Bernini.

I.

Sharp and dramatic

Soft and rough

Tree bark, a paralyzing trunk

Leaves that could be dappled, maybe—

Streams of sunshine through a forest canopy as

Eternal as marble, smooth and ready, shaped millennia ago

By a river, rushing, or a careful human hand

As eternal as terror, forever frozen,

Captured upon Daphne’s 

Temporary,

Fleeting

Face.

II.

Apparently,

Light shifts through her fingers

A glimpse of forest pushed through

By the industrial bulbs of a museum in Rome

Four hundred years from its creation

A millennium and a half from when Ovid described

One even older—ancient—moment

In a pastoral glade on a foreign, forgotten peninsula.

Apparently,

The light’s streaming rustles illusionary leaves

Upon Daphne’s gentle, eternal contours;

Or, anyway, that’s what those who have seen the statue say

But, no matter the angle of the photograph,

That light—

Transported from Thessaly to Rome with passed-down tales and chisels—

Is never conjured permanently.

—Sophia Kantsevoy

The Bryn Mawr School,

Maryland

ON DAPHNE AND APOLLO · Spring 2025 · Torch: U.S.

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