Tone Report Weekly Issue 93 | Page 12

Chase Bliss Audio Gravitas Chase Bliss Audio has a knack for taking classic effects and squeezing every last drop of tone tweaking potential from them, giving the user unprecedented control over every parameter, and putting a unique spin on sounds that would otherwise be common and familiar. That the company manages to do this while still keeping tonal purity at the forefront is a minor miracle. Chase Bliss’s Gravitas Analog Tremolo marries a pristine, completely analog signal path (based on the Analog Devices AD823 op-amp) to a powerful digital control brain, for a pedal that can sound as classic and swampy as any vintage tube amp trem, but has a control set that will boggle the mind. That being said, it’s a fairly easy pedal to just plug in—without looking at the manual—and dial up a good sound, even if it might take some old fashioned book-learnin’ to wrap one’s brain around the more advanced features. Speaking of advanced features, there are many. The bank of tiny DIP switches on top is a dead giveaway this tremolo box goes all the way and then some. I couldn’t possibly cover all the options here, but among its unique powers is the ability to mix, match, and blend sine, triangle, and square waves any which way one might desire, and then alter the blend point with the “sway” knob, which can result in some very inspiring and innovative sounds. Then there’s the ramping, tap and expression control, MIDI, momentary bypass, and innumerable other tone warping tools at one’s disposal. For the truly devious tremolo torturer, Chase Bliss Audio’s Gravitas is a must-have. 12 TONE TALK // Tremolo Laboratories for Mad Tone Scientists