Tone Report Weekly Issue 72 | Page 20

mixed in the analog realm to magnetic tape, but for most musicians the digital conversion happens much earlier. Often, their instrument is plugged directly into a digital audio interface, with amp simulators and plugins taking the place of real amps, cabinets, pedalboards, and microphones. There’s nothing wrong with either method, and if the recording is executed well, the final results can be equally excellent. In my experience, though, if you’re the kind of guitarist that tends to record direct to the computer, either for practical reasons or personal preference, it can be much easier to dial up a rockin’ guitar tone by prefacing the digital converters and software plugins with a nice analog preamp that has been purpose-built for guitar. Plugging into an analog guitar preamp prior to converting the signal to ones and zeroes can improve the recording experience and the achieved tones in several ways. For one, most recording interfaces are general purpose, with neutral sounding preamps designed to make a clean, truthful document of any instrument. For distorted electric guitar especially, this can mean that the recording resulting from plugging directly into such an interface is often somewhat flat, both in feel and tone, lacking the color and response of a real amp’s input circuitry. Plugging into a good guitar preamp first can often fix this problem, achieving an amp-like feel and sound before the signal ever 20 TONE TALK // 4 Pristine Analog Preamps for your Digital Studio