Tone Report Weekly Issue 70 | Page 51

so I found it best added to clean, ringing chords to subtly enhance the sense of space around the notes. And subtle is the key word here. You might, as I did, read “ambient” and expect a thick cloud of ethereal expanse—which this isn’t. And while more feedback is available by tweaking an internal trimmer, I suggest you tread lightly. Things can get out of hand fairly quickly. The last mode offers the longest delay time in the unit—up to 1.2 seconds— and features a quirky style of tape-inspired modulation. The speed of the modulation runs (approximately) in time with the delay repeats, as though the delay time was controlled by changing the playback rate of a tape machine with fixed heads. It can sound glitchy at longer delay times, but can be turned off for nice, clean and clear delay repeats TAP, TAP, TAPA-ROO Where the Counter Point really wins for me is in the redesigned tap tempo switch. It obviously works to change delay times, but Diamond has added footswitchable modulation to the mix by holding down the tap switch for one second. Lane Jr.—it really is a sonic and textural counterpoint. And I like it. So much so that the Counter Point has already found a home on my personal pedalboard. I can’t think of a better recommendation than that. Moreover, in addition to a new op-amp—the same found in the new Comp SE—that adds clarity and definition, the Counter Point comes with an enhanced feature set. The pedal will remember modulation and tap delay settings between modes. And though not true presets, due to the analog nature of the feedback and mix controls, this great new addition allows for added flexibility in setting up the pedal for specific songs or tones ahead of time. CONCERNS As I tracked this pedal from the early teaser photos to its unveiling at this year’s NAMM show, there was one comment I saw pop up pretty consistently— disdain for the DYMO-esque graphics on the pedal. I understand aesthetics are important and don’t particularly mind the look of the Counter Point myself, but this pedal sounds so good that if the design has been holding you back, you should really reconsider. WHAT WE LIKE The more I’ve thought about it, the more the Counter Point’s name makes sense to me. When you consider its place in the Diamond lineup—opposite the do-it-all Quantum Leap and deliciously straightforward Memory ToneReport.com 51