Tone Report Weekly Issue 70 | Page 34

Loudness is crucial, and the Laneys were not high-gain amps by any means.  TONY IOMMI’S EFFECTS Iommi wasn’t a huge effects guy in the early days, but he did use a couple of key items to achieve his signature tone. In addition to cranking the mids and high-end on his Laney amps, he also hit the front of them with a Rangemaster treble booster for more overdrive and punch. The result was a fat, fuzz-like tone that is often mistaken for a Big Muff or some other pedal. It is, in fact,