Tone Report Weekly Issue 67 | Page 33

P ickups. Neck scale. Set or fixed neck? Hard tail or tremolo? Body and neck mass. Heck, finish. We talk about these factors regularly, as they all affect a guitar’s tone but, of course, so does the wood. When you combine the elements of the above with the effects of specific tonewoods, the sounds you can achieve can be wonderfully varied. ALDER I love alder. If you like single coils, you’re probably a fan, too, as it’s commonly used with Fender-type guitars. Alder somehow manages to impart a very strong midrange without calling attention to it, as the top end is very present and the lows are muscular. The grain is no great shakes so you’ll usually find it used in guitars with opaque finishes. ToneReport.com 33