Tone Report Weekly Issue 62 | Page 40

PAUL REED SMITH ARCHON TWENTYFIVE REVIEW BY PHILLIP DODGE STREET PRICE $1299 If you don’t think of amps when you capable of switching to run at half of heavy duty PC boards. The pots hear the name PRS, that’s OK. While power. The Archon amps are modern are all high-quality Alpha pots and the company is celebrating its 30th high gain amps, but they aren’t strictly the tubes are mounted directly to the anniversary this year, it has spent for the high gain or metal crowd. I’m chassis. In other words, it’s built like the majority of those years focused typically a player of low- to mid-gain, a (a beautiful) tank. The amp weighs squarely on making some of the best single-channel, non-master volume in at a relatively svelte 34 pounds and guitars money can buy. However, amps, but I found plenty to love in measures roughly 22” x 11” x 18”. It when renowned amp designer Doug the Archon. fits nicely in the trunk or the passenger Sewell joined the PRS team a few Let’s first talk about specs: The Archon years ago, that all changed. Doug has Twenty-Five features six 12AX7 tubes a reputation for building outstanding in the preamp section, a duo of 5881 amps and with him on board, PRS tubes in the power section, and a solid began making amps that are equal to state rectifier. It puts out 25 watts its guitars. in full-power mode and 13 watts in I recently had the chance to spend a half-power mode. All of this power few weeks with one of their newest is funneled into a Celestion G12-75T. offerings: The Archon Twenty-Five. Upon opening the Archon, the build The Archon line is comprised of a 100- quality and attention to detail is watt head, 50-watt head, 50 W 1X12 impressive. The amp is hand-wired and and 25 W 1X12 with each configuration the parts are laid out neatly on a series 40 GEAR REVIEW // Paul Reed Smith Archon Twenty-Five seat and is easy to carry in one hand. The Archon offers individual Volume, Treble, Middle, Bass, Master Volume, and Bright switches for both the Clean and Lead channels and global Presence and Depth controls. The Clean channel is rich a dimensional and stays clean to almost full volume. The Lead channel starts out in hot-rodded Marshall territory and quickly works its way up into modern high gain tones. As long as you keep the Lead