Tone Report Weekly Issue 62 | Page 26

W hen I was just starting to become obsessed with guitars and music as a little kid in the late ‘80s, hard rock and hair metal dominated the industry. It was such a strange time to get interested, because (as all kids do) I just accepted the flamboyantly schlocky instruments around me as the norm. I just assumed all guitars were candy-cream-clown-puke-polka-dot asymmetrical shred machines. I literally felt like a kid in a candy store fondling those day-glow Kramer and Jackson axes with my sticky Jolly Rancherglazed digits. Yes, there was another naughty norm in those sickly sweet days of overproduced weenie ballads: the cheesy chorus pedal. Of course, the chorus pedal had been tastefully applied to some timeless recordings by pioneers like Andy Summers, Robert Smith, Robin Guthrie and Johnny Marr in the early part of the decade. But, overuse and chorus abuse soon created a guilt-bypoodle-head association, which still hasn’t really broken to this day. In this feature, I would like to help dispel this slightly unfair 26 TONE TALK // Chorus Pedals That are Hard to Hate