Tone Report Weekly Issue 62 | Page 20

elements of a good surf guitar are a set of bright, bold single-coil pickups, and a relatively stable vibrato system for the whammy bar action required. A locking system like a Floyd Rose is not required (or appropriate...yuck), just something that will stay in tune through the regular dips and warbles that are so indicative of the style. Just about any Strat-like guitar that has these features will do the job, and plenty of companies, like DiPinto, Eastwood, Reverend, and Electrical Guitar Company, make guitars that fit the bill hardware-wise, and also happen to look really surfy. Metallic finishes, racing stripes, and vivid color schemes are always nice.  SURF STRINGS Surf guitar is typically played on heavyduty strings. The general consensus seems to be that anything lighter than a set of 11s is probably inappropriate, with 12s and 13s being standard. The reasons for this are partly traditional and partly practical. Light string sets are a relatively recent innovation, so most of the classics of the surf genre were played on beefy strings (usually flatwounds, by 20 TONE TALK // Making Waves the way). The practical purpose for heavy strings is the big, bass-heavy tone that they generate, which matches nicely with bright single coils and a loud, clean amp. Also, surf guitar technique involves lots of fast, hard tremolo picking and whammy bar manipulation, all of which puts stress on strings. Heavy strings are harder to break.  SURF AMPS For proper surf tones, having the right amp is essential. The “right amp,” in this case, is something loud and clean with tons of headroom. Surf guitar tones are not typically distorted, though a bit of warm tube breakup can be nice. The classic amps for surf purposes are, once again, Fender products, specifically blackface-era Showman, Dual Showman, Twin, Vibrolux, and Super Reverb amps. Besides being able to get brutally loud without distorting, these amps are also rather bright, with a big, tight bottom end. As with guitars, though, owning a vintage Fender blackface amp isn’t necessary for getting a cool surf tone, as the modern guitarist has plenty of other options. Virtually anything that can be