Tone Report Weekly Issue 62 | Page 11

D umble amps are the Klon Centaurs of amplifiers. Either that, or Klon Centaurs are the Dumble amplifiers of overdrive pedals. I’m not sure which, but there are many parallels: eccentric hermit builder, lengthy waiting list, incredibly limited production, insane second-hand prices, goop all over the internal electronic bits, hardly anyone has actually played one but everyone has been convinced that they need one. There are probably more commonalities, but I’m getting a little queasy considering all of them, so I’ll stop. It makes me wonder, though, has anyone ever run a Centaur into a Dumble? Is that even legal? Is it even possible? If no one was around to hear it, would it still make a sound? What the hell is my point, anyway? I don’t have any answers to these questions. Much like the mythos that surround these two pieces of guitar gear, the questions I’ve posed are patently ridiculous, and apropos of nothing. For those that have suffered through this nonsense and are still with us, however, I shall bestow a list upon ye. This list shall contain the names of overdrive pedals that are said by the oracle to exhibit characteristics reminiscent of the mystical, magical Dumble amplifiers. Behold the list: HOTONE GRASS OVERDRIVE: I think it appropriate that I should begin this listicle with the tiniest and least expensive pedal, a pedal that should net the thrifty blues lawyer a savings of no less than $49,920.01 over an actual Dumble amplifier. That being said, however, one should not equate this pedal’s low cost and miniature physical dimensions with second-rate tone. The Grass is a most impressive overdrive, with a full and very dynamic range of overdrive sounds that would likely fool even the snootiest of tone sniffers in a blind taste-test. Besides being green and adorable, it is outfitted with Volume, Voice, and Bright knobs, as well as the big Hotone signature  gain knob on the top end of the pedal (which also contains the status LED). All in all, it’s quite a steal, and a perfect stocking-stuffer for the Dumble-curious tone hound that has yet to pass a bar exam.   TANABE DUMKUDO OR ZENKUDO: The Dumkudo and Zenkudo are made in Japan by Toshihiko Tanabe, a retired ad-man with a seemingly strong fancy for the Dumblest tones. He makes quite a few pedals that are purported to have the legendary Dumble qualities, all quite distinctive with their genuine abalone tops and kanji adornment. The Dumkudo and Zenkudo are the most well-known of these. The two pedals are similar in most respects, with the Dumkudo being geared for singlecoils, while the Zenkudo is intended for humbucker-equipped guitars. Perhaps the most ringing endorsement of these pedals comes from Henry Kaiser, avante-garde guitarist/composer, and genuine Dumble Overdrive Special owner and user since the late ‘70s. Kaiser often uses the Dumkudo or