Tone Report Weekly Issue 152 | Page 31

IT MAY SURPRISE SOME READERS TO KNOW THAT THE WAH PEDAL WAS ORIGINALLY DEVELOPED FOR TRUMPET PLAYERS, a fact usually discovered when one sets out to discover what recordings Clyde McCoy played guitar on. Much ado has been made about McCoy’s involvement with wah circuitry, so many of us figured he had to be a legendary shredder. However, shortly after a look into the man’s musical history, we discover that he’s actually a celebrated trumpet player, and it is to brass and wood instrumentalists that wah was originally marketed. Eventually, this gave way to electric guitar and rock music was all the better for it. The first wah pedal was the Cry Baby, mercilessly duplicated overseas because the Thomas Organ Company failed to do so. As such, it’s been cloned, re-cloned, then re-cloned again, resulting in hundreds of variants that all follow the same basic topology. Only a select few wahs deviate from this circuit, usually omitting the high-priced toroidal inductor in favor of different filter types that still sound very wah-like when manually swept. These deviators include the Mu-Tron C200, Colorsound Wah, Tychobrahe Parapedal, Korg Mr. Multi and a few others. However, most other wahs that exist are riffs on this particular model. Maestro, not to be outdone, needed a wah in its product line and created two: the Boomerang and the Boomer 2. Fortunately, Maestro wasn’t comfortable cloning it straight away, instead refining the circuit, and the result was my favorite vintage inductorbased wah. Unfortunately, cloning the Boomer 2 is quite a feat for a few reasons. Firstly, there are a couple weird parts, most notably a 6uF electrolytic capacitor and a 25k potentiometer. Most wah potentiometers are equipped with a mechanism that allows for foot control. Because they are engineered as dropin replacements for Cry Baby pedals, they all come in the same value—100k. Secondly, wah parts are just plain expensive. Empty wah shells start at 45 dollars, wah pots start at 17, and the toroidal inductors start at 15. At this point, you’re 77 bucks into the wah, not counting other parts and labor. Add it all up, and you start to wonder if it’s worth it. Fortunately, we’re going to build a wah in a regular enclosure. As a bonus, we’re including three common wah mods, such as Q, bass response and gain. As another bonus, we’re going to add an expression jack where you need ToneReport.com 31