Tone Report Weekly Issue 152 | Page 17

A s a part-time bass and baritone guitar player I am often frustrated by how lame many guitar effects sound on these instruments, and also by how difficult it can be to find good effects designed specifically for them. The situation now is naturally quite a bit better than it ever has been, living as we do in this golden era of effects and technology, but it can still be a depressing chore slogging through websites, catalogs and gear stores seeking out the few bass-frequency-friendly effects amidst the mountains of bass-unfriendly ones. There just aren’t as many companies making pedals designed to handle the full spectrum of low frequencies, presumably because bassists and other lownote specialists just don’t buy pedals in nearly the quantities that guitarists do. But are bassists buying less because there just aren’t as many bass effects to buy? It’s a real chicken-and-egg sort of quandary, friends. with bass frequencies in mind. There are more of these around than one might expect, and quite a few are excellent. Here are some of our favorite wah pedals for bass, baritone guitars, extended range guitars, drop-tuned axes, and other instruments that make big low-frequency sounds. But I digress. The specific thing I came here to talk about is the search for a great wah that won’t choke off the low tones. A guitar wah like a standard-issue Cry Baby or something similar is clearly not designed to handle low frequency information in a musical way. I would guess that most bassists have probably tried a guitar wah at one time or another and came away disappointed with the sound, which typically attenuates and smears pretty much all of the crucial bottom frequencies. Bassists that have a two-amp rig, or some way to split the signal into separate dry and effects chains, often use this method to keep the low-end intact while using a wah, but a simpler solution is probably a wah pedal specifically engineered ToneReport.com 17