Tone Report Weekly Issue 135 | Page 54

CATALINBREAD  BICYCLE DELAY REVIEW BY DAVID A. EVANS STREET PRICE $199.00 In April 1943, Albert Hoffman deliberately dosed himself with LSD, a substance which he’d synthesized some five years beforehand. Famously, Hoffman rode his bicycle home from the lab that day. Yet this was unlike any previous ride: space seemed distorted, sounds were unusual, and the whole world appeared to have gone crazy. I suspect that Catalinbread’s new Bicycle Delay has been crafted as an homage to or at least with Hoffman’s bicycle ride in mind. The Bicycle Delay is unlike other delays in that it seems to simulate, in audio form, an 54 GEAR REVIEW // acid trip. Weird echoes, distorted repetitions of sound, and a generally random character of all the sounds it produces lead me to think this. Even after some experimentation, I was never really sure what to expect from the Bicycle Delay. In this respect, I believe the pedal to be even more like an acid trip, in which unexpected and strange visions, sounds, and moods appear. At first glance, the Bicycle Delay might confuse the typical delay aficionado. Catalinbread has painted non-standard labels on its new pedal rather than the traditional names associated Catalinbread Bicycle Delay with delay. Level, delay, tone, repeats—none of these will be found on the Bicycle Delay. In their place one can find (respectively) Lucidity, Expanse, Radiance, Reflect, and a special additional knob called Mood. Curiously, the Expanse knob works exactly opposite of the way one would expect. At its 5 o’clock setting, the delay is actually set to its minimum time of just a few milliseconds. The Bicycle Delay produces up to about a two-second delay, and will go as low as just a few milliseconds, so it’s capable of slapback echo and the spacier sounds