Tone Report Weekly Issue 121 | Page 34

The (Almost) Original: DOD 250 Preamp Overdrive RI the gain is increased, creating the perfect, muscular tone for rhythm or lead lines with some heft. I fell into the world of boutique pedals in part because I noticed my clean tone was a little worse when I plugged into my 250. Well, a couple of years ago, DigiTech relaunched the DOD brand and solved this problem and few others with their DOD 250 reissu e. The new version is true bypass, has an indicator light and a standard nine-volt jack but, mercifully everything is the same, right down to the seemingly crucial 741 op amp. Like the original 250, the reissue has flat mids and, as with the original, the lows slowly roll off and the highs slowly creep in as 34 TONE TALK // To me, in addition to the flat mids, the real joy of the 250 is the way it compresses as the gain is increased; the low end loss is balanced by increased compression that’s reminiscent of a cranked amplifier. Meanwhile, the topend boost is just subtle enough to offset the compression. These characteristics are absolutely wonderful into an amp that’s just breaking up, but they work well with a clean amp, too. The breakup character is reminiscent of a Fender Tweed, most notably in the charming splat of the 250’s top end, a sound that could be off-putting if it didn’t sound so organic (think Ron Wood with The Faces). The Legacy of the DOD 250: 5 Killer Clones