Tone Report Weekly Issue 113 | Page 23

Randy Rhoads PHOTO VIA JACKSON GUITARS In his relatively short stint as guitarist for the newly-solo Ozzy Osbourne, Randy Rhoads positively transformed heavy metal guitar, injecting a powerful dose of neo-classical harmony and technique into a genre formerly dominated by pentatonic and blues scales. Despite only playing with Ozzy for a few years before his untimely death in an airplane crash at 25, Rhoads’s influence still resonates today anywhere that shredding happens, and he is consistently cited among players and fans as one of the greatest metal guitarists of all time. Despite this widespread admiration, his signature guitar tone, which is as distinctive as his playing, is a frequent source of controversy. On recordings, such as the iconic “Crazy Train,” it sounds almost as if he recorded his guitar parts via telephone. It’s all midrange all the time, with no bass to speak of, and dark, muffled high end. One might assume that he used unusual gear to sculpt such a unique tone, but his rig was pretty standard, consisting of a Les Paul, his signature Jackson guitars, Marshall Super Lead heads matched to Altec-loaded 4x12 cabs, and a handful of common pedals, with the MXR Distortion+ being the only one he used with any regularity. The immediately recognizable Randy Rhoads tone is the result of a player with a strong vision using the fundamental tools at hand to make the sound in his head a reality.  ToneReport.com 23