Tone Report Weekly Issue 108 | Page 44

him, or even if they paid a lot of attention to him. If the guy wanted to, he could whip out odd time signatures, super-fast rolls, intentionally off-kilter fills, and pretty much any rock song you’d hear would be no challenge for him. However, he didn’t really care if you knew that. Right away, when playing with Todd, one thing became very clear. I was way too loud. Todd didn’t seem concerned, almost as if he knew I’d get the message simply by how awkwardly loud my guitar was in the context of our rehearsal room. 44 TONE TALK // Almost every band I had played in before all had one thing in common: VOLUME WARS. The drummer would bash out a beat, the guitarist would start playing and feel like his guitar wasn’t loud enough to be heard over the drummer. He’d turn up. The bass player would immediately turn up because now he couldn’t hear anything, then I’d turn my guitar up because I was positive that no one could hear me. Eventually, as you’d expect, things would turn to mush, tinnitus would set in, and by the end of the night, all nuance and Does Your Band Sound Terrible? This is Probably Why...