And let’s just call Warhorn what it is—we
all want to sound like SRV. This is our
best attempt.
ARP-87 was our attempt to put attempt
to put every delay sound we loved into
one pedal and give it tap tempo and
monetary features. We settled on the
ones included and manipulated them
until they were really fun to play and
listen to.
TR: Any new designs lurking that you
can tell us about?
CW: Let’s just say, Julia has a sister and
when we found out, it echoed through
the halls.
accomplished something in common with
your colleagues and competitors to get
in. This industry has no barriers to entry.
It has almost no regulation and no rules—
it is literally the Wild West. You can do
whatever you want to and however you
want to. NAMM is the perfect picture of
what all of this looks like when lassoed
together. What Walrus is to me is figuring
out the perfect combination of creative
marketing, A+ reviewed products,
staying relevant to trends in music and
keeping the company growing so we can
support the fifteen guys and gals who call
this place their home.
TR: Since we last talked, what have you
learned? And how does Walrus Audio fit
into that?
CW: We’ve learned a lot these past
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