Tone Report Weekly 178 | Page 44

GEAR SPOTLIGHT SEYMOUR DUNCAN POWERSTAGE 170 REVIEW BY JAMIE WOLFERT STREET PRICE $399.00 I am delighted to announce that solid-state is officially cool again. You see, modern class-D solid-state technologies have created a revolution in the amplification world, one that is presently poised to take over the pedalboards of guitar players everywhere. This technology has made it possible to design and manufacture ultra- powerful, ultra-portable solid- state instrument amplifiers that are so compact as to be only slightly larger than the average stompbox enclosure. For those among us who have ever dreamed of fitting their entire rig on a small pedalboard, I am here to say that the dream is 44 GEAR SPOTLIGHT // officially real. As evidence of this phenomenon, I provide the new Seymour Duncan PowerStage 170. The Powerstage 170 is a sleek, no-nonsense 170-watt solid-state power amp that measures just a hair over five inches square, is a little over two-and-a-half inches tall, and weighs about two pounds. It has a single quarter-inch mono instrument input, and a single quarter-inch cabinet output rated at between four and eight ohms. Atop its handsome brushed silver enclosure is a three-band equalizer and a single large master volume knob. On the rear of the unit is a small, silent fan to keep it humming Seymour Duncan Powerstage 170 along at a safe operating temperature, as well as a removable three-prong power cord and a power switch. The Powerstage 170 is handsome to behold, simple to operate, and gives the impression of extreme ruggedness. Many modern solid-state amps make ideal platforms for players that get their sound primarily from pedals, modelers, or outboard preamps, and clearly this is what Seymour Duncan intended for the Powerstage line. I have been happily using a different manufacturer’s compact power amp in exactly this way for a few years now, so I was eager to plug in the Powerstage