Tone Report Weekly 178 | Page 28

Nick Cave. It is also notable for the fearless guitar playing and songwriting of Rowland S. Howard. Howard’s approach to the guitar was simultaneously discordant and atmospheric, interspersing jagged rhythmic seizures with dense, haunting textural work. His style combined elements of blues, rockabilly, punk, jazz, and other difficult-to-define elements into a strikingly original instrumental whole. Listening to a track like “Nick the Stripper,” from Prayers On Fire one can easily discern the dramatic influence Howard’s playing has had on players like The Jesus Lizard’s Duane Denison. It was also a catalyst for nearly every goth rock band to follow. Bernard Sumner Bands: Joy Division, New Order Also existing at the dark end of post- punk’s long and winding road was Joy Division. Formed by guitarist Bernard Sumner and bassist Peter Hook in the aftermath of a Manchester, England Sex Pistols gig, Joy Division initially began as a fairly straightforward punk outfit. However, by the time of Unknown Pleasures, the band’s first full-length record, it had naturally settled into an entirely unique sound that combined Hook’s driving, melodic basslines with Sumner’s minimalistic guitar textures. This interaction, along with Ian Curtis’s dark vocal delivery and Stephen Morris’s creative, yet robotic, beats, propelled the band over and above its peers in the scene. Sumner’s spacious guitar playing stands out for its blend of melodicism and rhythmic 28 TONE TALK // accompaniment, alternatively leaving space and filling it as necessary, while a