Timber iQ August - September 2019 // Issue:45 | Page 43

PERSONALITY PROFILE Despite these and many other challenges, Huiskens believes it is possible to create beautiful buildings on a tight budget with clever material selection and following the architectural plan. “The way that you shape the building doesn’t necessarily add to the cost. Just the thinking behind the relationship between spaces and the sequence of the building as you move through it. The physical and spatial setup of the building doesn’t necessarily have to break the bank,” says Huiskens. THE ARCHITECTURE INDUSTRY IN SOUTH AFRICA The architecture of buildings varies across different cities in South Africa. From a cultural aspect, Huiskens feels it is important for a person to visit an area and experience a strong identity Riaan Huiskens with his model which won him the Corobrik Architectural Student of and sense of that particular area. He the Year Award for 2019. adds that when designing buildings for South Africa, it is important not to borrow too much from western ideas. He uses the example Elizabeth, Huiskens’ design explores how architecture is of glass buildings, saying there are similarities between moving towards a paradigm shift with the development many of them in different countries. “Every place has got and incorporation of digital fabrication technology. This is that issue when you are globalised,” mentions Huiskens. extended into the discussion of recycling existing In essence, Huiskens stresses the importance of designing infrastructure and ties together both the heritage and buildings that tell more South African stories. Such buildings are ones that have an African quality which hasn’t been ecological discourse and recognises the significance of replicated anywhere else. For Huiskens, the Business School historical urban elements and the finite quality of heritage Building at NMU is designed with an African quality. The resources within the city. building’s mass, deep recesses and off-centre courtyard are Speaking of the future, there is still a lot that Huiskens some of the elements that make it unique. would like to achieve going forward – including traveling abroad. “I would like to go overseas and explore there,” he AWARD-WINNING ARCHITECT explains. In addition, he would also like to make a Although his career is meaningful contribution to developing, Huiskens already has current dialogue regarding an accolade to his name. He architecture in South African. explains that the entire “I would say, become an experience was fun and that observer.” That’s the advice everyone got along well. “It Huiskens has for anyone who is didn’t feel like a competition. All interested in pursuing a career the other students were very in architecture. He emphasises good competitors," he says that most of the time, architects modestly. He adds that the are observers of how people judges made everyone feel move around in space. “If you comfortable, which was helpful become an observer and try to for participants when they presented their designs. feel your environment, then you can start commenting and Speaking about his award-winning design, Huiskens start drawing and composing space – with an informed and explains that it was inspired by the future. He believes that conscious mind.” solutions to many of the current problems lie in the future. Having completed his studies at NMU, Huiskens is “We solve things in the future; we come across things and grateful for the education that the institution provided – then tomorrow we do better. The future of architecture is in not forgetting the lecturers whom Huiskens says were digital fabrication. It has only recently begun to be explored always eager to avail themselves to assist students. “I and it’s opening up a world of opportunities.” Though digital would like to thank Corobrik for this prestigious fabrication is still in its developmental and conceptual experience, and not just because I won. They expose stages, it is offering new possibilities for creating better architecture to the public,” he adds. He concludes by space and buildings that are eco-friendly, thanks to explaining the value of architects in the public domain. engineered material. “We are moving towards a much more “We plan public space. We make buildings that make intelligent architecture,” says Huiskens. Titled The design of a 3D printing facility in central Port space.” We solve things in the future; we come across things and then tomorrow we do better." www.timberiq.co.za // AUGUST / SEPTEMBER 2019 41