Timber iQ August- September 2018 // Issue: 39 | Page 26
PROJECTS
The iconic Mootee Bar draws in patrons.
Continued from page 22
created a situation where the building no longer turned its
back onto the alleyway but rather faced it and embraced it.”
To maintain the essence of the alleyway while
simultaneously tying in with the concept of Mootee, the
architects decided to use a palette of materials that are
natural and robust. “We would use the inherent
characteristics of each material aesthetically. We rusted
metal, chipped walls and burnt wood in such a way that all
materials tied together in a harmonious way. We often joked
between ourselves that as soon as a material arrived on site
we would ‘destroy’ it,” laughs Millar.
“I would say that we are destroying sensitively. This
approach is brought through the entire project from the
alley to the bar itself, being rusted galvanised panels. It also
offers a fantastic texture to the project, especially when
burnt. When burning the timber the soft grain is burnt away
leaving the hard grain unburnt. This emphasises the natural
grain in a unique way. The burning of the wood is a
technique that is often used in Japan. They do this to seal
the wood in a natural way,” explains Millar.
THE MOOTEE TOUCH
Millar notes that simple South African pine was used in the
design of Mootee. “We chose pine because it’s both a cost
effective solution and it offered us a nice contrast between
soft and hard grain. It’s a great wood to burn. While the
wood will require maintenance over time, the timber is very
resilient though due to both the burning process and also
through the use of clear matt polyurethane sealant,”
he explains.
Despite the traditional budget and time constraints, many
of the project’s challenges were overcome easily due to the
close working relationship between Milarchi Architects and
Mootee, highlights Millar.
While every aspect of the bar is a firm favourite, Millar
shares his appreciation for one of Mootee’s hidden gems.
“There is a secret roof top garden that is amazing to sit on
and gaze over the roofs of Melville.”
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