TIM eMagazine Volume 3 Issue 8 | Page 72

Arts & Culture Vivid movements and heart- warming moments, with Ballet Manila’s Cinderella F airy tales have that lasting im- print for everybody—be it young or old. They have that magic that recaptures those old days of storytelling while at the same time, capturing vivid movements and heartwarming moments via music and dance. What special way is there to relive those childhood memories and celebrate the triumphs of life amidst all adversities than by Cin- derella, Ballet Manila’s pre-Yuletide presentation, that had its debut last November 24 and Decem- ber 1 with evening presentations and with mati- nees last November 25 and December 2 at the Aliw Theatre at CCP Complex? fairy tale ballet; Macuja-Elizalde artfully fused the Prokofiev score with melodies of Oscar Wallace from the animated film and popular tunes from the Rodgers and Hammerstein musical strung together with original sec- tions by composer/musical arranger Roy del Valle. “Indeed, Cinderella will make everyone in the audience swoon to the mesmerizing power of love! ”Ms. Macuja-Elizalde proudly noted. “It’s a presentation that is modern but familiar, witty and comedic, a bit senti- mental yet absolutely delightful! It is a really light and happy ballet where kids and grownups alike will laugh out loud.” Many of us may dismiss Cinderella as a feel-good presentation that reminds us to keep on dreaming and making these dreams come true. Making this presentation extra special was the return of this fabled dance-music spectacle choreographed by no less than the country’s acclaimed ‘storyteller on toes,’ Ms. Lisa Macuja-Elizalde. It also highlights the talents of some of Ballet Manila’s principal ballerinas Abigail Oliveiro and Joan Emery Sia who alternate the title role of the maltreated but kind-hearted girl who transforms herself into a princess, with her dash- ing Prince Charming being billed by principal danseur Rudy de Dios and soloist Mark Sumaylo. Portraying the enchanted Fairy Godmother was Kong Ke Xin, with John Balagot as the conniving stepmother. The equally wicked stepsisters were portrayed alternatively by Jasmine Pia Dames, Rissa May Camaclang, Nicole Barroso and Emma Harris. Eclecticism was another high point in the selection of the music for this 72 But what makes these dreams much more challenging—as well as exciting—is that life is full of trials that can be transformed into triumphs. And just like the forces of darkness that we all do face, there are also those inspiring mo- ments when we experience light, that paves the way for something better—and brighter. It is not the dream-like images and setting of fairy tale per se that makes us want to retell it; what equally counts most is the way the power of music and dance moves us to feel the essence of Cinderella even in real life!  www.cultural- center.gov.ph