P
AGE
11
Sin City: Finds a place amo
Jesus Figueroa
Writer
The dark and grimy world of Frank
Miller’s “Sin City” came in a film noir
style to the big screen truly capturing a
graphic novel feel.
Revolutionary filmmaker l, the rebel
without a crew, Robert Rodriguez found
a mixture of storytelling and visual effects
which captured audiences’ attention in
2005.
“The first film, I liked what we could
do with green screen, digital and Frank
(Miller)’s book and I thought ‘okay maybe
we won’t go as far as the book’ because
it may just be too bizarre for audiences.
We went and did a half step between the
graphic novel and the movie,” Rodriguez
said. “People really loved the feel and
thought it was very original and great
treatment of it. So, this time we went
ahead and pushed it further towards the
book, especially ‘A Dame to Kill for,’ he
(Miller) is more abstract in his drawings,
in his graphic approach to it, it’s just eye
popping. I thought if they liked that, let’s go
all the way. When people ask how did we