Thirdcloud Publications APRIL 2015 | Page 16

His grandfather offered to buy a shoeshine kit for Doug Webb after he told the family that he wanted to study music in college. The often anonymously documented woodwind artist has since developed a niche in the studios for making really beautiful music with a lot of different instruments. By RA Monaco “M Y LACK of success as an artist, made me a more rounded musician—a stronger musician—in a lot of ways,” said Doug Webb, who is “still making progress.” Most of Doug’s successes have come by way of making his living as an LA studio musician. Is there anyone who hasn’t heard his soprano saxophone solo on the theme from the TV series Law and Order? While Doug’s been documented musically in some ways, “usually it’s anonymously,” commented the remarkable jazz trumpeter Ron Stout, who shared sideman duties with Webb in the mid-90’s on the Horace Silver Band. “It’s been a double-edged sword for Doug—the fact that he’s been able to be successful making a living with the studio thing,” Stout observed. Doug’s saxophone playing wasn’t overlooked by well-known record producer Richard Perry, who has captured Webb’s woodwind work on modern releases with Rod Stewart, Carly