TheZine Vol #01 | Page 24

world to accomplish a lot as we usually had some of the best reviews in fanzines we were in. Those who are into the Underground scene in the mid to late 80s (well before its mass-inception in the 90s) must definitely have heard of INSANITY, the legendary, yet elusive thrash metal band. In the days of snail mail, information about them is very hard to come by, apart from the occasional inclusion in tape traders’ list and fanzines playlists. They have no peers in playing some of the most furious and brutal stuff for that time. Their 1985 demo can be considered revolutionary, with its early rendition of what we now called the blast beat and its intense technical riffing. We’re proud to make acquaintance with the only original member left in the band (and a Masters graduate in the harsh School of Hard Knocks!), Dave Gorsuch, to talk about the band’s legacy and the upcoming stuff the band is brewing. Let the bloodletting begins! Zine - Firstly before we indulge further into the interview, let us hear your first words to all Zine readers out there. What is the latest news from INSANITY you might want to share with us? Metal greetings, thanks for reading. We’ve reformed and we’ve been writing a lot and will soon be recording new material. We’re also about to give the official website a long overdue redesign and will include some cool new drummer since reforming in late 2008. This summer we started jamming with an old friend named Sean Riggen on bass that we’ve been sharing a studio with that also jammed with Bud in several projects as well On guitar and backing vocals is Mike Turner, who is also an old friend that was in a project with Bud as well as playing in INSANITY for a couple years in the late 90’s. I don’t really feel pressure to keep the band alive but I do feel a little responsibility towards the loyal fans we’ve had that want to hear new material or still haven’t had a chance to see us live. The way promoters sometimes put “legends” on show flyers or thinking about the reputation the band built makes me feel more pressure than anything but that’s a good thing because it provides even more motivation to write the best songs we can as well as deliver as raging of a live show as we can. Zine - How does the loss of the original line-up members (Paul Zuniga , Bud Mills) features and freebies as affect the band? Paul, I well as make more new believe is one of the main merchandise available. songwriters in the band before his demise. What Zine - I understand it might will be the difference if the be tedious to speak about band had not suffered those the band biography; but setbacks? some of the readers I’m sure are not aware of the His name was Joe DeZuniga band. Can you give an actually. Yes, he and I wrote insight about INSANITY’s almost everything and he early years? How Insanity designed the logo that was was formed, your goals, one of the first “hard to etc? read” logos ever. He was also a good friend and it totally Well we were all 18 or 19 crushed us when Joe died at and Keith the bass player the age of 21. This was also 2 and I had a gig at our high months before Nuclear Blast school and we asked Joe records wanted to sign us in to play it with us because 1987, which I’m sure would we didn’t have a singer. have made a huge difference We decided to form a in the band’s exposure. I read band since it went well a review on metal-archives. and about 9 months later com that said his death is the Bud found us through an main reason that prevented ad at the record store. I Insanity from being known (to would say that SLAYER the masses) as THE pioneers was our main influence but of technical death metal. we liked the heaviness of Bud’s death just happened VENOM and the musical in 2007 and once again was ability of MERCIFUL FATE a crushing experience as along with the leads of we became better friends Randy Rhoads for me than ever before. We had personally. We just tried big plans to re-record the to make the best written, 2nd album “Visions of heaviest, most technically Apocalypse” (with the new intense music we could. arrangements we felt rea B