The World of Hospitality Issue 34 2019 | Page 51

Yeo Valley Cafe The brief Design walk-through The brief for the new space was to create an engaging, inviting showcase for Yeo Valley, incorporating a dine-in café, grab’n’go produce and a mini retail store, as well as a work and meeting space on the site’s upper storey. The designers were asked to maintain and express the brand’s nature-inspired ethos and friendly, fun and unpretentious feel, whilst also creating links to the existing HQ. This included integrating the work of artist- illustrator Natasha Clutterbuck, who has a long association with the brand and whose murals are part of the Blagdon Canteen, as well as creating artwork for special editions of the product range. The new café-store has two street-facing, retail-style, full-height boutique windows to either side of the main double-door entrance, with backlit storefront branding above for The Yeo Valley Café, using the brand’s existing heart-shaped identity. On the inside of the store, the backs of the windows are dressed in curved floor-to-ceiling timber panelling, with hidden doors allowing easy access for updating displays. The interior features a dual ‘warm and cool’ concept, with a white and bright ‘cool’ area to the right for grab’n’go produce and the mini retail area, underlining the freshness of the dairy produce range, and a warmer ‘natural’ sit-down area to the left, underlining the brand’s countryside origins and authenticity. the World Of Hospitality 51 A central off-white flooring corridor is for circulation and unites the spaces, with a feature flooring apron to both sides in a black- and-white, star-patterned Spanish Hex tile with a matt finish. White, horizontal timber- style slats line the upper walls and the angled ceiling, whilst an eye-catching, huge-scale ceiling feature down the centre of the space takes the form of a stained-glass-style light- box installation, showing an abstracted map of the Yeo Valley farm HQ in Blagdon. ‘We wanted to avoid the cliché of a whited- out or black-sprayed ceiling’, Emma Gullick explained. ‘The angled outer edges were designed to echo the inside of a farm building roof, whilst