The View 38002 October- November 2013 | страница 2
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October/November 2013
38002 Creative: Interviews
with Five Local Artists
Story and Photos by Terry Louderback
“Artist’s
Colony” he first creates the metal
may not be the term that armature out of alumi- steam
springs to mind when num, whose malleability and the mold dries. After
talking about 38002, but allows him to “draw” the being heated to over 1600
Arlington and Lakeland forms into shape while degrees, molten lead
are home to a growing forging.
crystal from New Zealand
number of artists who
The glass elements is poured into an opening
have found regional, are created using a tech- in the now-ready plaster.
national, and international nique called “lost wax When it is finally cooled,
acclaim.
This month, casting,” which means the glass piece can only
THE VIEW 38002 visited that a unique mold is be released by destroying
the studios of artists created for every piece of the mold. Russell can
working in five different glass. Russell first shapes then finish the piece and
media.
the design in sculpture polish or etch it to create
The first trip took me wax and covers it in the desired effect.
over the Loosahatchie plaster. The original wax
The two materials—
River and down winding design is removed using metal and glass—are then
country roads to
combined to complete
Brian Russell’s studio
the artwork. Russell
nestled in the woods
explains that he uses
of the Arlington
lead crystal instead of
Annex
reserve.
traditional
blowing
Working in metal and
glass because its crysglass, Russell creates
talline structure makes
a range of sculptures
it more translucent and
from dramatic strucallows it to “glow”
tures that tower over
when placed in front of
the viewer to smaller
light.
pieces that invite
Russell’s work can be
closer inspection.
found around the
Today the centerworld, including pripiece of Russell’s
vate collections in Asia
studio is a commisand the middle East.
sioned work that he is
Closer to home, he was
creating for the Jewse lected to design and
ish Federation of
construct the Grand
Cincinnati. Evoking
Stair at the FedEx
the image of a burnFamily House, which
ing bush, the installahe welcomed as the
tion should be comopportunity to “bring a
pleted in May 2014. Brian Russell, Brian Russell Studio sculptural aesthetic to
Russell explains that
an otherwise mundane
The View 38002 believes in correcting its
mistakes. If you believe there in an error in
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Arlington Publishing LLC
PO Box 863,
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Who We Are: The View 38002 is Arlington
and Lakeland’s free community newspaper,
published six times a year by Arlington
Publishing LLC.
Distribution: 8000 copies, serving readers
and businesses in eastern Shelby County,
Tennessee and the greater Memphis
metropolitan area.
Founded: In 2011 by Edina Nuhic
purchased in April 2013 by two enterprising
Arlington residents, Terry Louderback and
Iggy Collazo
Mission: To inform, educate, and connect
the residents of suburban and rural Shelby
County and to demonstrate ethical and
sustainable publishing practices for future
generations of news consumers.
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The View 38002 is published six times a year
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setting.”
In October, Russell’s
work will be featured in
“Continuum,” a 15-year
retrospective at the Dixon
Gallery and Gardens. The
artist will speak at a
“Munch and Learn” at the
gallery on October 30.
Next year Russell will
compete his 30th year as
an independent studio
artist and 20th year working in Arlington.
About being an artist,
Russell comments that he
enjoys
having
the
“freedom to express
myself. It’s been a lot of
work, a lot of labor. . . .
But what gives me joy is
making stuff.” In his free
time, Russell is building a
45-foot
all-aluminum
sailboat from scratch,
which he and his wife
Helen plan to take on an
ocean voyage.
Brian
Russell
Studio,
www.brianrussellstudio.c
om.
Children’s clothing
designer Charite Helve is
ready for prime time.
Literally. The Arlington
resident recently announced that stylists for
NBC’s
comedy-drama
Parenthood have selected
one of her patterned knot
dresses for the character
of Nora to wear in the
upcoming season.
All the more amazing, considering that
Helve taught herself to
sew only four years ago
when she left an eight-
year career in financial
planning to spend more
time with her then elementary
school-aged
children.
“I read the
book,” she laughs, “and
started with selling at craft
shows.”
Charity Helve, Madibella
Helve starts by selecting fabrics and then designs garments from
them, mixing patterns and
colors along the way. She
describes
Madibella’s
style as “Southern”—lots
of bows and ruffles for
girls. Using cotton quilting fabrics, her goal is to
create dresses, “bubbles,”
rompers, and ties that are
as comfortable as they are
colorful. For Fall 2014,
Helve may add trendy
jackets and skirts to her
staple peasant dress and
include more styles for
boys.
A member of The
Artisan Group, Helve and
her Madibella label have
gained national exposure
through inclusion in
“swag bags” presented to
celebrities at the 2012
Country Music Awards
and selected press at the
2013 Golden Globe and
Academy Awards.
All this success resulted in Helve making
the decision earlier this
year to expand her operation. While she remains
the designer, garments
will be manufactured
to her standards in
Chicago and a sales
representative is exhibiting her lines at
wholesale
markets
across the South.
Locally, Madibella can
be found at The Happy
Heart in Depot Square.
Madibella,
www.madibella.com
Donna and Tom
Hathaway
officially
began planning Major
Tom Harvey Leatherworks about ten years
ago, but really the pair’s
interest in working with
leather goes back to their
childhoods in rural northern Missouri. Starting at
age eight, Tom “hung
around” the town’s saddle
and bootmaker, Don
Atkinson,
forging
a
friendship that would last
for decades.
Donna
learned sewing skills from
her grandmother, who
also carved leather.
In 2004, the couple
was already living in the
Memphis area when they
began to plan for a leatherworking business and
found that West Tennessee was an ideal market.
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