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F
ON O AME
TI
S ASSOCIA
AS
Joseph E. Flanagan
Karl Steward
E. W. Smith
W. G. Speier
H. H. Jacoby
Karl Steward
Charles Donaldson
Frederick Lamb
Henry Hunt
A. H. Rossbach
A. J. Schuler
D. H. Swinton
W. E. Ford
A. W. Klemme
George Mueller
Henry Hunt
Fred Oppliger
Nicola D’Ascenzo
Charles Connick
Wilbur H. Burnham
Henry Lee Willet
Harold W. Cummings
Harold Rambusch
Orin Skinner
Rupert Schmitt
George Hunt
Karl B. Lamb
Wilbur H. Burnham, Jr.
John D. Weaver, Sr.
George D. Spiers
John A. Riordan
E. Crosby Willet
Otto C. Winterich
Stephen Bridges
Harold L. Hollman
A. W. Klemme, Jr.
James Helf
Patrick White
Helen Hickman
John Kebrle
Bill Laws
Gerhard Hiemer
Elizabeth Perry
Walter Judson
Florence Welborn
Paul Pickel
Truett George
Gary Helf
Kirk Weaver
James Whitney
Dennis Harmon
Karen Hendrix
Andrew Young
B. Gunar Gruenke
Jack Whitworth
Jerome R. Durr
Susan Shea
The President’s Page
Honoring the Past
“Every man owes a part of his time and money to the business or industry in which he
is engaged. No man has a moral right to withhold his support from an organization that
is striving to improve conditions within his sphere.” – Theodore Roosevelt
Rupert Schmitt (1950-1951) was very concerned about the “trend of our craft
toward commercialism…” and for “paying more attention to higher standards of
workmanship and improved ethics in the craft.” Bernard O. Gruenke, who was
Rupert Schmitt’s partner, purchased the renowned national art studio (now
Conrad Schmitt Studios) from the Schmitt estate, after Rupert’s death in 1951.
George Hunt (1952-1953) sponsored a joint committee for the American Stained
Glass Craft, including the SGAA and the Brotherhood of Painters, Decorators and
Paperhangers of America, who were also suffering from unfair tariffs on overseas
products. George Hunt, with his brother, Jim, built Hunt Studios into one of
Pit