The Score Magazine Sept 2019 | Page 35

AKARSH SHEKHAR Door...Door.. DOORDARSHAN HAI WONDERFUL In 1959, Doordarshan began as a humble radio channel. Today, it's the ultimate source of 80s and 90s nostalgia among Indian millennials. Why have the sounds of iconic Doordarshan advertisements withstood the test of time? Is it because of the catchy music and the memorable lyrics or is it the fact that those sounds encapsulate fond memories? Before talking about the tunes of its different ads, let's talk about the tune of Doordarshan itself. In 1973, during the inauguration ceremony of the Doordarshan Television Channel at Vigyan Bhavan in New Delhi, shehnai maestro Ustad Ali Ahmad Khan’s 1.5 hour long recital gave birth to the famous melancholy Doordarshan tune, which was accompanied by the famous swirly video footage. The tune was composed by the sitar maestro Pandit Ravi Shankar who worked with Ustad Ali Ahmad Khan. The tune was supposed to be based on Sarey Jahan Se Acchha but Ravi Shankar decided on a shorter version of the famous tune by Mohammed Iqbal. Until the cable tv revolution of the late 90s, that was India's unofficial ‘National Tune’. Over the course of time, the national tune started being accompanied with a flurry of wonderful ads which featured unforgettable music. Mention the names Cadbury, Amul, Nirma, Pepsi, Coca-Cola, Nerolac and almost every Indian millennial will be able to hum along to the tune of their classic commercials. This was no accident. Doordarshan became India’s largest broadcasting organization in 1982. From there it slowly transitioned into a television powerhouse. Until 1975 only 7 cities in India had access to television service. All of this was about to change. On 15th August 1982, metropolitan and regional India woke up to colour TV with the live telecast of Prime Minister Indira Gandhi’s Independence Day speech. If her father Pandit Jawaharlal Nehru was a visionary, Indira Gandhi was definitely a tele-visionary. Her efforts were instrumental in bringing colour television to the Indian masses. During the same year, New Delhi hosted the Asian Games and Indian citizens got to watch the best Asian athletes sweat and toil in colourful glory. Doordharshan marked an array of technological advancements in India. Well produced television sets and studios meant well produced serials. Shows like Hum Log, Ramayan, and Mahabharat made people sit in front of the TV for a long time. All that tv-time opened the doors for advertisers to enter the airwaves. Brands and marketing teams recognized this and ran with it. India's triumph in the 1983 Cricket World Cup also helped the cause. It led to a flurry of advertising during sports telecasts also. It was about that time when the classic advertisements we remember and sing along to, started becoming vibrant, fresh and ubiquitous. According to a study, emotional stimulus such as music, when inserted into an advertisement stimulates purchase motivation. This emotional component most likely affects purchase intent through brand attitude. It is thought that music stimulates emotions, which may affect the brand attitude and lead to brand purchase and usage (Rossiter & Percy 1991). Researchers are also learning now that its not just our emotions that guide us . Methods such as recall, recognition and brand attributes measure consumers’ thoughts, but not their feelings or their total range of emotion. Humans think and feel, and both processes influence their behaviour (Zajonc, 1980; Zajonc & Markus, 1982). The power to recall brands with just a tune and to feel the emotions attached with the sound, changed India economically and socially. It helped us grow as an economy, and as people. No wonder the music from those days still resonates with our soul. The Score Magazine highonscore.com 33