The Score Magazine October 2019 | Page 40

JANET CATHERINA JACOB COLLIER Makes India Debut in Mumbai Grammy award-winning musician Jacob Collier just made his debut in India to a sold-out crowd at the NCPA, Mumbai, courtesy of music and event management company Mixtape. You think you know what to expect from him after watching his YouTube videos, but he comes out on stage and proves you wrong within the first five minutes. One thing becomes clear then: this is not just another concert. Of course, one could have already guessed that from seeing the audience that turned up for the show—everyone in the music industry, from Bollywood music composers to indie musicians to music critics and enthusiasts. Amidst this close-knit community where everyone knows everyone, it feels less like a concert and more like a get- together hosted by Jacob Collier. Joined on stage by three incredible multi-instrumentalists— MARO, Robin Mullarkey, and Christian Euman—Collier starts off the show with hits like ‘With The Love In My Heart’ and ‘Hideaway.’ He sings and bounces around the stage in his signature Peter Pan-esque way from piano to drums to keys to bass. As impressive as it is to watch, the true magic happens when Collier begins to play the instrument that he plays best—the audience. From foot-stomping to bird whistles, the musically-proficient audience indulges him in all his directions. If there was ever a disconnect felt while listening to his music on a device, it fades into nothing when he's right in front of you. At this point, his music isn't there just to appreciate, it's there to experience. The initial excitement in the auditorium dies down and gives way for some intimacy when MARO takes the lead with ‘Feel.’ Then, with the audience's rapt attention, Collier goes on to 38 The Score Magazine highonscore.com demonstrate his musical prowess with his custom-built vocal harmonizer. While he’s known for his spectacular music ability, it’s interesting to note how good of a performer he is as well. Although choreographed, everything from the way he moves to the way he talks is endearing and engaging, and the crowd responds in kind with standing ovations and spontaneous harmonies. During the show, the young musician, who is signed to Quincy Jones Productions, takes some time to tell us about Djesse, his four-volume album with 50 songs that he wrote over the course of a year or so. The first two volumes, which have been released, feature collaborations with the likes of guitar virtuoso Steve Vai and vocal phenom Jojo. With a laugh, Collier explains that the third volume deals with negative space and will probably not be well-liked, while the fourth volume is a mystery altogether. And if there was any confusion about what genre Collier’s music falls under, he cheekily describes it as “Jacobian music.” A few minutes after Collier and the band leave the stage, they come back for a much-anticipated encore. This time, Collier opts for the simplicity of an acoustic guitar and a melodica as he performs his latest single, ‘It Don’t Matter,’ sitting cross- legged on the stage with the audience sitting right in front of him on the floor. Then, the show ends on a magical note with crowd favorite ‘Blackbird.’ People leave concerts with a variety of feelings, but on this night, there is only one thought on everyone’s mind as they step out of Tata Theatre—that it was an absolute privilege to have witnessed this.