All of us dream of playing in a band on stage, or reciting a classical piece in front of a grand audience. We dream of creating majestic ensembles that captures the awe of listeners around. Then why be limited by choice and create only a fraction of the grandeur that’ s possible?
On Stage Essentials:
The CASIO CTK-7300IN From Practice To Performance
All of us dream of playing in a band on stage, or reciting a classical piece in front of a grand audience. We dream of creating majestic ensembles that captures the awe of listeners around. Then why be limited by choice and create only a fraction of the grandeur that’ s possible?
The instruments that we first pick as beginners can only go so far as to let us compose music that’ s part of basic learning, or limited to musical curriculum. Due to its technological limitations, it binds our choices of tones, functionalities, genres and the ability to create the sound that one exactly wants.
For players who feel this limitation with their current instrument and harbor the insatiable desire to up their game, explore new sounds and play a few gigs, Casio’ s CTK-7300IN provides the perfect platform for beginners and intermediates to graduate to the next level in the art form.
Whatever be the genre- Carnatic, Hindustani, Classical, Rock, House or even Hip-Hop, the CTK- 7300IN with over 300 rhythm patterns and 800 + tones allows one to create music without prejudice. The
17-track song sequencer will let one perform multitrack recordings of other instruments over beats and drum layers to create full blown songs in real time and the 32 channel mixer & equalizer will adjust the sound parameters and help interface with the on stage sound. In the hands of a diligent musician, that’ s enough to create a theatrical and enchanting experience.
The keyboard features 50 specially selected builtin drawbar organ tones. Nine sliders are used to change the harmonic overtone level settings and add percussion and click sounds for real-time sound creation as one plays along. The keyboard also features 100 preset DSPs which can add dimensions to the tones played by the keyboardist. By adjusting the parameters of the DSP effect types, one can
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