The Score Magazine November 2019 issue | Page 40

JANET CATHERINA First Sitar-Fronted Metal Band in the World Releases Debut Album The only constant in music is change. Every year gives way to new trends, innovations, and the rise and fall of entire genres. So what is the next new thing? Well, a metal band fronted by a sitar certainly seems to be in the running for the title. Sitar Metal released their eponymous debut album on October 1, and it’s exactly what it sounds like—with a clear cut name like Sitar Metal, there’s no doubt that the sitar is the essence of the band. This makes a lot more sense when one learns about founder Rishabh Seen’s background. The fourth-generation sitar player in his family, Rishabh has been performing since he was just eight years old, often playing at Indian classical concerts abroad with his father. “In a family like mine, the first thing you know outside of breathing is music,” he jokes. But when Rishabh first listened to metal music in 2011, his world changed. Everything from the song structure to the performance style of metal bands was completely different from what he had seen until then. However, it wasn’t until three years later, when he discovered the subgenre progressive metal and heard the band Animals as Leaders for the first time, that the wheels in his head began turning. “When I heard their songs, I felt like these guys were playing ragas on guitars. These are two opposite worlds, two opposite instruments, but I just felt a connection between them that I never felt when listening to other metal bands,” Rishabh explains. Soon after that, he started making sitar covers of Animals as Leaders songs. Although he wanted to release new music of his own, he first wanted to establish the idea of sitar in metal. With that goal in mind, Rishabh formed Mute the Saint, but after releasing one album, they disbanded due to artistic 38 The Score Magazine highonscore.com differences. But Rishabh didn’t give up there; a year later, he invited his friends—guitarist Deeparshi Roy, bassist Tushar Khurana (who, surprisingly enough, started learning how to play the bass guitar at the same time that Rishabh started writing the album), and drummer Joel Damian Rodrigues—to form Sitar Metal. In February, the band made their live debut as the supporting act for American rock band Polyphia in Delhi. About the experience, Rishabh says, “We hadn’t released any of our music then. So for the first time, I could see this music working live.” When Sitar Metal’s debut album was finally released, it was well-received both in India and around the world. The album starts off with the single ‘When Time Stands Still,’ which opens with a simple sitar riff before gradually evolving into the paragon of the band’s sound. From then on, the album gets darker and darker, precariously balancing the raw and chaotic nature of metal music with the melodic sound of the sitar as well as other Indian classical elements like Shayari. One of the songs also features a verse from UK rapper Rider Shafique. The one thing that really stands out in the album is the unadulterated sound of the sitar, which Rishabh confirms was his prime focus while making the album. “Part of the reason I did this is because I wanted to make the sitar more ‘cool’ for young people. I was too tired of hearing that the sitar is difficult to carry, difficult to learn, this and that. It’s as difficult or as easy as any other instrument. But the thing is that it’s been stereotyped by older people so much that young people run away from it. When you think of a keyboard, do you have any genre in mind? No, with it you could play anything in the world. That’s where I want to take the sitar.”