The Score Magazine November 2019 issue | Page 17

How exactly are you deciding upon your setlist, given the vast repository you have to choose from? Usually it is heavily based on new songs, because the latest album is what I`m usually most proud of at the time of a tour. Those are the songs I’m most excited to share. Also, since I don’t have any "hits" so to speak, I can shape the setlist around the peaks and valleys I can create with the music itself without being forced to play any particular songs. I have romantic ballads as well as violent brutal metal, so it gives me a lot to play with as far as keeping the audience’s attention. How often do musicians have to compromise their artistic authenticity to stay relevant? All the time, we are compromising in one way or another. If you don't, you will never move forward. The trick is to compromise only to the extent that you can still walk away from what you are doing feeling that you haven't made a complete ass out of yourself, and actually be proud of the overall thing you just did. My last 2 studio albums, "Inferno" and "Wall of Sound" have the least compromising of my entire career. I love them and don`t regret a second of that music. What's your response to "metalheads" who turn up their noses at Babymetal? Everyone has different tastes, and everyone’s opinion is exactly equally valid. I dig BabyMetal. I also like Coca Cola. Maybe you like Pepsi. It’s all good. It would be so boring if everyone liked the exact same thing. What matters least when it comes to making good music? And what matters most? There is no good or bad music. The only music in the world that matters is the music you like. The music that affects you to the point that you want to hear it again. That's it. If you are able to create music that you actually like, that is the best feeling there is. That should probably be the goal of every artist. Do you think art comes attached to some kind of purpose? All forms of entertainment are life’s important distractions from reality. Without them, it can be a pretty cold and dark universe out there. I thank my lucky stars that my favorite entertainers took the incredible efforts to work so incredibly hard at their craft for my enjoyment. To be immersed in art that you love is a happy way to go through life. Given that music is so dominant in your life, how often do you listen to music just for recreation? All the time. I'm listening to the West Side Story soundtrack now, which is a favorite. Would you say you have managed to accomplish much of what you have desired? Not even close. There is much more out there. I have a lot more I want to do. When do you think a musician should stop making music? For example, should they stop when they start getting bored? Or, when they can no longer offer something new? Whenever they want. It’s no one's choice except the person making the music. Tell us about a few musicians that you are really fascinated with right now. Hyadain, Deafheaven, Maneki Kecak, Mono (JAPAN0 and PassCode come to mind, but there are plenty more How have you changed as a person in the last 5 years? Not much as a person, but in the last 5 years I've made the 2 strongest albums of my career by far, and I feel I'm finally getting the hang of how to make my music. It has taken a while. What is the best compliment your art has received? If someone says "I enjoy your music" and they mean it, that is all I can wish for. Do you have any warnings for new musicians who look up to you? No, I'm just flattered. The Score Magazine highonscore.com 15