The Score Magazine March 2020 issue | Page 42

Sennheiser Evolution 900 Series Microphone: Designed for Musicians with best set of microphones Drummer can imagine Sennheiser has the right microphone for everyone in Evolution Wired Microphone line - the 900 Series. The evolution wired 900 series: conceived of as a harmonically calibrated family, these high-end microphones combine demanding sound with unmatched reliability. Uncompromising stage equipment for uncompromising professionals. The evolution wired mics simply evolve along any sound. All the microphones in this series have in common is impressive sound, a clear focus on the job at hand and extreme ruggedness. These mics have been created in the best tradition of German engineering and are the result of the dedication of our engineers, of countless tests, and of the most meticulous manufacturing processes. All 900 Series microphones are designed to offer transparent sound, be insensitive to handling noise, and feature excellent transient response and feedback rejection. Tight and uniform polar patterns, tighter manufacturing tolerances and gold XLR pins are common to the entire line. Targeted to professional musicians, PA rental companies and rehearsal studios, the 900 Series is optimized for all measurable parameters. While there are microphones for every professional in Evolution 900 Series, we will focus on mics designed for drumkit Sennheiser E901: The e 901 is a rugged boundary microphone that handles high sound pressure levels extraordinarily well. Tailored to give the kick drum a highly precise, very dry sound character, the e 901 makes every attack lightning fast and realistic. The integrated preamp and gold-plated XLR connector have proven themselves to be exceptionally practical on stage. With half-cardioid polar pattern, the 901 delivers faster transient response, does not require a stand, and comes with a non-skid pad and slots for permanent mounting. Sennheiser E902: If we have to describe this mic one line, you can clearly say, “Clean bass meets precise punch”. The e 902 is especially designed for the low sound spectrum and 40 The Score Magazine highonscore.com convinces with firm, clearly defined bass sounds with a tight punch. The strongly contoured frequency response features a pronounced damping of the mid-range and an accentuated emphasis of the high-end and bass. It offers a clear, grainy sound with a full body and a precise kick that effortlessly asserts itself in a band context. The sound of the e 902 can be flexibly shaped by its positioning in the drum set: from warm and round to sharp and direct. The rugged housing meets the hardest of demands during live gigs. Evolution 902 offers higher resonant frequency (65Hz), a shock-mounted capsule with integrated clip mouth, and delivers more punch and tighter response of the lowest bass signals. Sennheiser E904: It’s consistent frequency response creates a sound that is as transparent as it is harmonic and that can be wonderfully shaped. It can be cleanly embedded in the drum mix thanks to its precise attacks and voluminous body. The set receives an extremely energetic and defined sound with this microphone. The e 904 reliably withstands even the hardest direct hits. The dynamic cardioid Evolution 904 drum instrument mic features a high mass metal chassis for greater stability with powerful, punchy sound characteristics suitable for a variety of musical styles. Thanks to its practical clip, it is child's play to attach to the rims of snares and tom-toms. And, with its compact form, it takes up a very small amount of space. Sennheiser E914: The e 914 is a condenser microphone of the superior class with a full-bodied sound and excellent dynamics. Its silky character, never headstrong, is developed from the gentle emphasis of the sophisticated treble. Its straightforward transient response accurately captures the temperament of each set, even at very high sound pressure levels. With its detailed resolution, the e 914 makes every live drum sound more refined. The capsule has extraordinary feedback resistance and can be individually adapted to various needs with three positions of bass roll-off/cut-off and pre-attenuation can be set.