The Score Magazine March 2019 | Page 35

SOUVIK CHAKRABORT Y W hat happens when a rookie rapper comments on a celebrity rapper's daughter? The rapper shuts him up with his rhythm and poetry (RAP). What happens next, the rookie packs another blow calling the Girl's Daddy- 'Crazy'. The celebrated rapper gets back and this time the track makes history being the number one debutant track in YouTube; because the celebrated dad was nobody but Eminem the man himself. Competitive rivalries have created some of the high esteemed specimens of our arts, literature and music. Any critical discourse, with respect to popular media and culture always accounts for the maximum impact in the generation of its times. When this dialogue takes between two creative people of fundamentally similar beliefs, it amounts to an exciting exchange of words, expressions and otherwise deep seated feelings. When two hip hop artists subverts, attacks and jabs each other with the sharp blades of his pen. The song becomes a diss track. When the other artist/rapper gets back with his set of replies and attacks to the former track, then the tug of words become only intensified to a level where the scene is said to have beefed up. From TuPac, Eminem to Snoop Dogg, Jayz and Drake, everyone has been there and done that a lot many times now. With Gully Boy releasing this month and the hip hop revolution being all the more high at its resurgent whirlpool it is only fair that India had its fair share of the pie in the diss tracks as well. The diss scene however is a bit different than what it was in the US. A categorical difference being the fact that the hip hop and the rap scene in India has been mostly a sleeper if not an underground hit! The rappers had their identity limited to a niche without a cause. In order to break the shackles and to be exploded in the media. The hype and the hoopla was not really enough until tracks like Samjh mein aaya kya? emerged. More and more people were now interested to know what was really up with these kind of people. Are we being programmed now for another reality show or is this for real? What really happened. Emiway got miffed with Raftaar's comment on him, where apparently he said that he is not making enough money as he is an independent artist. So Emiway came up with his diss track Samajh mein aaya Kya, where he discredited Raftaar to a low and arrogantly posed himself as the underdog who made it big, without having a Godfather in the industry. Raftaar, is by far the more popular out of the two and has been the face on television for quite some time. So, more than anything Emiway's acerbic attack on the rapking actually shot him overnight to hall of fame. His videos and subscribers grew like a wildfire. So Raftaar came back with his blow, the Sheikh Chilli song, where people actually got to know the story of how Raftaar has previously helped the underground artist, Emiway. The culture of diss is as much as the essence of hip hop in India- the fish can not be certainly taken out of the pond. But, hey can we not actually use our tongue and our voice to satire and attack something else. Raps have dealt with sensitive themes of power, politics and different ideals so why can we not spew some venom against the vices that prevail in our society and in us. Can we not use the same sting and nails to justify the creative medium for a constructive built of a music that knows nothing but truth! The Score Magazine highonscore.com 33