The Score Magazine March 2019 | Page 33

How different it is to express emotion via an instrument like Sarangi? How was it performing for the 24 Hours millennium concert in Paris? Please share your experience. Sarangi used to be known as SAURANGI, an instrument with hundreds of Colours, and considered as the most expressive and emotional Musical Instrument, Closest to human Voice and the only Musical Instrument kept right next to the heart and played by the Cuticles (The top part of Finger Nails). It was an amazing experience as I was the only Sarangi artist and there were many vocalists and my father was the only solo Sarangi Artist so I played around 9 concerts with all artists including my great Father. It was quite challenging for me but I was able to do that with the blessings of my Guru. How did your father’s playing influence you in the world of Sarangi performances? I grew up listening to my father as the most influential Sarangi Legend. I had the privilege of accompanying him on of his worldwide concert tours and he was the only Sarangi Player who had the maximum number of Sarangi Students. He was not only a great performer but also an amazing teacher. What was one important tip given by your father which helped you as a performer? He used to say Khushboo Bano Hawa sab jagah le jeaygi( Become the FRAGRANCE and its air will take u all over the world) and it's important to be a good human being before you become a great Musician. How different and challenging it is to be a composer compared to a performing artist? What were the scenarios you faced when you became a composer? When a musician starts to make his own music, he becomes a composer of the special genre. To be able to compose different genres of Music, one needs have the vast knowledge of Music by Listening and learning with other Senior musicians. I became a performer at a very young age because of the knowledge given to me by my guru and the experience of performance he shared with me but slowly I started composing again with the help of my father, my Guru and my big brother Sarvar Sabri who is an excellent Tabla Player and a Composer living in Birmingham UK. Your greatest influences in music- artists or musical personalities? My father Ustad Sabri Khan sahb, elder brother Ustad Sarvar Sabri sahb, great Ustad Zakir Hussain sahb, Pt. Ravi Shankar, Ustad Ameer Khansahb, Pt. Bheemsen Joshi. While communicating and collaborating with western musicians, what do you think are the biggest challenges faced by Indian classical musicians? In conversation with Kamal Sabri Indian Sarangi player The most important thing is the openness of a musician to respect and accept other musical traditions and their vast repertoire of music. Mostly, Indian musicians are trained to improvise and most of the Western Classical musicians are not trained to improvise so the biggest challenge with collaborations is to improvise in a way that it sounds like a great meeting of souls coming together. Can we bridge the much present gap between Indian Classical and Western Classical music? Well, I think we have bridged quite a lot and for more, we are still working hard. Do you think a performing artist should confine to the crowd’s favourite raagas or get a bit inquisitive and try out rare ragas? I think both would be nice to play for the crowds favourite ragas as well as rare ragas. Your valuable piece of advice for young aspiring musicians who wish to take up Sarangi playing as a full-time career. Find a good guru, respect his teachings and work hard! My Father and Guru used to say Dikhya (to see) Seekhiya(To learn) Parakhiya(to practice) Kartabiya(Then the Miracle Happens) Tell us about the stamp recently launched giving a tribute to your dad I think its great way to show the respect the contribution of my Legendary father and to Indian Classical Music by the Govt of India. As he was also a musician who was part of India's Independence. The Score Magazine highonscore.com 31