The Score Magazine March 2019 | Page 24

INDIE SHREYA BOSE REVIE Lean On Love (Ady Manral): Imagine you have had a hard day. Shouldn’t be too hard, right? Especially if you live in the concrete labyrinth that is a city. Your boss gave you the cold shoulder, the office coffee machine was broken, and the cute girl on Tinder did not respond to your right swipe. Your cooking isn’t that great, and you’re too tired to stay up for the 45 minutes it will take for takeout to reach you. Now retreat to your room. Lean against the wall in your favourite corner, try to brew a cup of tea and take the first uninterrupted breath of your day. Now press play on Lean on Love. And, there it is. Acoustic flourish rushes in on you, and you can almost see it. Mountains rising into a glistening summer sky. An unhurried chai at a roadside tapri. Unrecognised, beautiful wildflowers in your path. Playful dogs and children bundled under layers of fur and woollens. The air smells of budding foliage, and you spot green as far as the eye can see. 22 The Score Magazine highonscore.com Ady Manral sings of his own life, nestled in the idyllic Landour community that defines, for him, home. It is emblematic of comfort and familiarity, of the simple liberties we take with the small worlds that we grow up in. The point of the song is equally uncomplicated - value love where you can find it. While not stylistically or thematically groundbreaking, the song is an emphatic happymaker. Give yourself the space to reward yourself with some reassurance that love does exist for you to take recourse to after that bad day. Saansein (The Mallroad Project): Whatever takes your breath away is worthy of art. The sentiment of having your breath stolen is also equally worthy, and possibly a challenge to represent. The Mallroad Project, a Delhi-born rock outfit does attempt something similar, but manages to accomplish a somewhat half-edges execution. Immediately striking is the monotone that marks the vocal intonation. The words suggest the appearance of an individual akin to an epiphany, who cuts through loneliness, ennui and despondence but the idea is not matched by the a tumbling, predictable soundscape. While one cannot point a finger at the melodic structuring and extract some massive gaffe, one is not driven to recall it too often either. Seeking to represent a life event that shifts your existential tectonics, the band manages to measurably underwhelm.