The Score Magazine July 2019 issue | Page 43

Peter Cat Recording Co. Bismillah Album Cover Art When you create and play your music, is there one core idea/notion/sentiment that you hope your listeners take away from it? Each song has a different sentiment it is meant to evoke. We are always hoping that comes across, be it something painful or hopeful. What is the ideal emotional state for your creative peak? Uncertainty One would say that your lyrics dabble deeply with surrealism. Has there been any particular songwriter or any particular genre that has influenced such an innovative mode of writing? It's hard to say. As a writer, working harder and harder towards finding the best way of expressing an emotion or idea, with simpler and fewer words is the real goal. Surrealism is a byproduct of hunting for them although sometimes words are selected on the basis of their musicality, as opposed to their literal meaning. What are the various shifts and changes that your listener will experience as they listen to your new album Bismillah, and how different is it from your other albums like Sinema and Portrait of a Time? This album seems more like a refinement of our previous sounds, rather than a leap into a new direction. It is certainly better produced by Robin and us. The quest for what we are still continues. How does Suryakant Sawhney manage to strike a balance between the electronic/Bollywood fusion as Lifafa, and the jazz fusion along with the progressive nature of Peter Cat Recording Co.? Everyone in the band has their own side projects which demand balancing such things. In Suryakant's case, perhaps the difference in languages allows him to maintain that balance in a slightly easier manner. If you had to talk about your music to someone from another galaxy, how would you do so? We would describe it as Earth music, bereft of cultural and national identity. What is the worst thing about being creatively driven? The eternal struggle between knowing what could make you money and where the beauty of what you are doing truly lies. Can you name a series or film that would be the perfect fit for your music (as background score)? We'll make such a series/film one day. What reactions are you hoping to Bismillah? $ Do you ever listen to your own music as recreation? Most certainly not haha. What is best compliment you could receive? We enjoy being undefinable with no obvious connection to anything else. The Score Magazine highonscore.com 41