The Score Magazine July 2019 issue | Page 35

A Live Music Experience. Although PALM, once again, proved themselves as one of the best exhibitors in the country, they also brought in a tasteful roaster of Musicians from around India. From bands like "The Fanculos" from Mumbai to "One Plate Idli". There were two main live music areas: Harman Live Arena and Yamaha Stage. Each of these rooms had their own vibrant sets of performances, none similar to the other. The masses at PALM Expo were treated with music that isn't easy to find over at weekend pubs or restaurants. Keep read- ing for gist of some of the bands performing all over the course of the 3 day exposition Day One One Plate Idli. (Harman Live Arena) Ranjit Barot and Gulraj Singh (Yamaha Stage) The sound of the band is reminiscent of the sounds of South India its roots lying in Carnatic music. The six-member band comprises Abhay Nayampally (Carnatic Guitar), Finix Ramdas (Violin), Ajay Jayanti (Violin), Shovon Mukherjee (Bass), Khwab Haria (Drums) and Viveick Rajagopalan (Composer, Mridangam and Kanjira). The band consists of soloists that led pieces featuring rich instruments like the Mridangam and Violins. They started off with sweet sounding melodies that instantly transferred the crowd to a place not so Mumbai. Their music was an invitation to a world of harmony and bliss. By the end of the set, One Plate Idli had definitely created an impact on everyone. Mumbai's very own Ranjit Barot 'kick' started his set with, talented keyboardist, Gulraj Singh featuring some of Yamahas flagship equipments. Ranjit showcased a library full of soundscapes that went beyond usual drum playing. Using inbuilt triggered sounds like sine waves and texturous percussion instruments. This would leave everyone, including Ranjit Barot, suprised. The band played a number of Indian fusion and funky grooves that could possibly keep the crowd grooving all evening. Lydian Nadhaswaram One wouldn't be able to tell just how incredibly talented young Lydian is, that is, before he takes throne at the Drums. Lydian's recent achievement on winning the CBS talent show "The World's Best" only made him more popular in the mainstream media, although he has already made an impression on the Greats in the Music industry. In his performance, Lydian played a set of tracks over which he improvised. His sound is quite distinct and his choice of technique quite tasteful. At the end of the set, everyone was left either really inspired or intimidated. Akriti Kakkar (Harman Live Arena) Akriti knew exactly what she could do for the eager audience that swarmed in for that slot. They were enchanted by the tunes of Sufi and Bollywood that the band executed so well. Akriti reminded us of the true spirit of the classic Bollywood tunes that people would listen to in the 90s. After they were done performing, everyone was left with a bunch of tunes ringing in their heads. Other than an experimental performance, Ranjit shared about his heart of young musicians that come from states outside Mumbai to just to play music for the love of it. Niladri Kumar. (Harman Live Arena) Niladri, with his sweet Sitar melodies, spun a mesmerizing tapestry of Indian fusion music. He was accompanied by his band that backed him up as he took each of the tunes with an improvised approach. Although most of the songs we're deeply based in Raags and off beat Indian classical influences, the crowd was awestruck by their renditions. Overall, Niladri delivered a very emotionally stirring performance that included a lot of crowd participation. Day Two Susmit Sen (Yamaha Stage) Susmit Sen, put together a guitar led band. It was a rare sight as Susemet translated Indian Fusion classics using his acoustic guitar, and classical guitar techniques that only a few master in our time. He's setlist included songs that was a mixture of folk, Indian classical, and rock. The four piece band The Score Magazine highonscore.com 33