The Score Magazine January 2019 issue | Page 43

KAUSTHUB RAVI & SIVANESH NATARAJAN FROM RUSSIA, WITH LOVE. SOYUZ MICROPHONES Microphone SU-011 SU-013 SU-017 N ew entries to the premium microphone category are fairly common these days. With each microphone looking to claim the position held by the classic U47s and U87s. The newest contender comes from quite an unlikely place, Russia! Named after the very successful Soviet spacecraft, Soyuz microphones hints at a level of precision or perfection. Every piece is hand built in their tiny facility in Russia. Let's talk about the LDCs. The SU-017 is the tube variant and comes with a detachable 34mm diameter capsule with a cardioid pattern. The company is planning to offer different capsules with a selection of polar patterns soon. The capsule head, internal from and top and bottom sections of the body are all machined from brass on lathes built in the Kalashnikov factory. Their attention to detail and nod to history bleeds into every aspect of the design. The SU-019 is the flagship. It is a FET condenser and looks very similar to the SU-017. It features a hand-wound proprietary toroidal transformer. The 019 also featured a stacked disk construction (similar to the 017) commonly used in the design of missiles and rockets. It claims to give the mic a very stable internal structure. The SU-023 or bomblet as it is rightfully called is their attempt at making a more affordable microphone for the masses. It is a large diaphragm, phantom powered, externally polarised solid state capacitor microphone. It follows the same outer body shape as the others but uses polished steel rather than the fancy painted finish of the other two. The smaller pencil condensers look quite beautiful as well. The SU 011 and the SU 013 both have a similar finish and colour profile to the LDCs. The SU 011 is a tube variant which is quite uncommon in this category of microphones. SU-019 SU-023 It features a changeable capsule (cardioid/hypercardioid/ Omnidirectional). Now that we’ve gone past admiring the design and aesthetic of the mics, we can move on to how they sound. COME AS YOU ARE! They sound exceptional and premium, justifying the high price tags. The SU-019 sounds extremely accurate and pristine. Vocals sound really natural and open with high levels of detail while remaining soft on the sibilants. This quality also serves acoustic guitars and snare drums really well. In our personal experience though, we liked the SU- 017 more. It maintained the clarity of the 019 while adding the subtle gooey quality of the tubes. On vocals, it sounds like nothing else, with a sound that most describe as fluid and smooth. The detail and dynamics seem so much more pronounced and its got the right balance of warmth and clarity. The tubes don't take long to warm up and once warm, they saturate beautifully. The bomblet is marketed by Soyuz mostly to be thrown on kick drums thanks to the mic’s ability to handle high SPLs. No doubt though, they sound fantastic on percussive instruments including Indian instruments like tables, tapes and tavils. The pencil condensers deserve more love than they get. The 013 sounds great but the 011 is truly special. Having tube character on a small diaphragm allows for some pretty diverse applications. They sounded fantastic on acoustic guitars, sounding warm, rich and accurate. They also performed really well on guitar amps, drum rooms and overheads. But it definitely works best to buy these in pairs. It gets quite expensive but they are the only pencil condensers you will need. All in all, these are absolutely fantastic microphones that justify the high price tags. If you are a gear-head, these beautiful handmade microphones are a must have. The Score Magazine highonscore.com 41