The Score Magazine February 2020 issue | Page 43

STOP THRASHING YOUR (EAR)DRUMS AKARSH SHEKHAR A hearing protection guide for musicians According to Metallica's drummer Lars Ulrich : “If you get a scratch on your nose, in a week that’ll be gone. When you…damage your hearing, it doesn’t come back, it’s gone, and there’s no real remedy.” Several factors contribute to this type of degradation, including volume, frequency distribution, duration of exposure, individual susceptibility (genetics), and age. Ongoing exposure of the cochlea’s hair cells to these high SPLs causes physical wear and destruction, and ultimately they can no longer carry the sound movement to the nerve cells. Warning signs Most of us have experienced that hollow or ringing sense after enjoying a live concert that was just a bit too loud. Although it usually goes away after several hours, inevitably there is some degree of permanent damage, and it’s an example of one of the earlier signs of hearing loss, called tinnitus. Coldplay’s lead singer, Chris Martin, has battled tinnitus for about 10 years, and since he started protecting his ears it hasn’t gotten any worse…but he wishes that he’d thought about it earlier. There is the natural assumption that this is a rock star-only problem, but classical and orchestral musicians are at equal (and in some studies, greater) risk. For example, violin players can develop asymmetric hearing loss because of the proximity of the left ear vs. the right to the instrument. Damage can be present even without perceptible symptoms — but a formal hearing test can reveal defects even before the symptoms start showing up. Many sound engineers get their hearing tested annually to discover defects before they become symptomatic, and likely irreversible. Prevent with musicians earplugs Unfortunately, once your hearing is damaged, there’s nothing science or medicine can do. This irreparable damage is the main reason that we should focus on protecting and preserving our hearing: • If you enjoy “feeling” the loud music at a rock concert, make sure you wear ear protection. Get a cheap pair of foam earplugs to wear to concerts. • Develop the habit of paying attention to the volume levels around you by using a dB meter. If you don’t have a dedicated device, such as the Galaxy Audio Check Mate CM-130 SPL Meter, you can easily use a smartphone app, many of which are free. • Start a habit of using earbuds or plugs when you’re in any loud environment (not just music venues). Put them in when using power tools, shooting firearms, mowing the grass, or going to that monster truck rally or sporting event. • When you do use in-ear protection, be sure they seal well around your ear canals. A leaky seal defeats the purpose of using them in the first place. • While foam earplugs are better than nothing, they usually reduce higher frequencies and subsequently produce a muffled or muddied sound. • Earplugs made for musicians minimize all frequencies equally and protect the musical soundscape in its entirety, though at a safer volume. They can be made of softer silicone, or some are made from more rigid materials that will soften inside the ear canal from your body heat and lead to a stable seal. High-fidelity Etymotic earplugs such as the Etymotic Research ETY-Plugs, maintain the natural frequency response while minimizing noise exposure. • Never leave one in-ear monitor (IEM) out and one in; that’s a sure-fire way to damage your hearing over time. • If you’re shopping for in-ear monitors for hearing protection, consider how much isolation they provide and decide whether you want universally fitting IEMs or custom-molded monitors. In this increasingly noisy world we live in, we’d suggest keeping some type of earplugs with you all the time. Just toss a set of foam plugs in your backpack, purse, or briefcase. The Score Magazine highonscore.com 41